Takashi Yoshimatsu, Nanae Yoshimura's 'Nabari, Op. 54: No. 3, Lento molto - 1992' had a release date set for February 15, 2000. The duration of This song is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Nabari, Op. 54: No. 3, Lento molto - 1992's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Subaru". In this album, this song's track order is #20. Nabari, Op. 54: No. 3, Lento molto - 1992 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Nabari, Op. 54: No. 3, Lento molto - 1992 by Takashi Yoshimatsu, Nanae Yoshimura having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Moonbeams | Leo Livens, Duncan Honeybourne | A Minor | 0 | 8A | 64 BPM | ||
Summa | Arvo Pärt, English Chamber Orchestra, Nigel Short | G Minor | 0 | 6A | 100 BPM | ||
6 Impromptus, Op. 5: Impromptu V | Jean Sibelius, Leif Ove Andsnes | B Minor | 0 | 10A | 72 BPM | ||
Barcalore on Autumn | Takashi Yoshimatsu, Pascal Rogé | E♭ Major | 0 | 5B | 68 BPM | ||
Die Geschichte Eines Unbekannten Schauspielers (The Story of the Unknown Actor): Thema - Titelmusik | Alfred Schnittke, Berlin Radio Symphony Orchestra, Frank Strobel | F Major | 0 | 7B | 70 BPM | ||
4 Short Pieces for Violin & Piano, H. 104: No. 2, Spring Song (Version for Cello & Piano) | Frank Bridge, Gerald Peregrine, Antony Ingham | G Major | 0 | 9B | 87 BPM | ||
Prelude in G-Flat Major, La Fille Aux Cheveux De Lin | Rik | G Minor | 2 | 6A | 79 BPM | ||
3 Visions: No. 2. Summerland | William Grant Still, Althea Waites | G Major | 0 | 9B | 81 BPM | ||
Five Bagatelles, Op.23 - Arr. Ashmore, Dickson: 4. Forlana | Gerald Finzi, Amy Dickson, Aurora Orchestra, Nicholas Collon | F♯ Major | 1 | 2B | 103 BPM | ||
White Landscapes, Op. 47a: III. Disappearance of Snow. Largo | Takashi Yoshimatsu, Sachio Fujioka, Manchester Camerata, John Barrow, Kate Wilson, Jonathan Price | G Major | 0 | 9B | 93 BPM |