"Missa Votiva, ZWV 18: Gratias agimus tibi" by Jan Dismas Zelenka, Joanne Lunn, Johannes Kaleschke, Daniel Taylor, Thomas E. Bauer, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius was released on April 1, 2010. The duration of Missa Votiva, ZWV 18: Gratias agimus tibi is about 3 minutes long, at 3:07. Based on our data, "Missa Votiva, ZWV 18: Gratias agimus tibi" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Jan Dismas Zelenka, Joanne Lunn, Johannes Kaleschke, Daniel Taylor, Thomas E. Bauer, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius's "Jan Dismas Zelenka: Missa Votiva" album is number 6 out of 20. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Missa Votiva, ZWV 18: Gratias agimus tibi is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa Votiva, ZWV 18: Gratias agimus tibi by Jan Dismas Zelenka, Joanne Lunn, Johannes Kaleschke, Daniel Taylor, Thomas E. Bauer, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Sonata in F Major, Op. 5 No. 4: IV. Adagio (Version for Flute) | Arcangelo Corelli, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Missa Dolorosa: V. Benedictus | Antonio Caldara, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
Te Deum, ZWV145: Judex crederis esse venturus | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | E♭ Minor | 2 | 2A | 192 BPM | ||
Stabat Mater, P. 77: III. O quam tristis | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Dies iræ, S. 31: Dies iræ | Michel Richard Delalande, Ensemble Correspondances, Sébastien Daucé | B Major | 2 | 1B | 91 BPM | ||
Concerto Grosso No. 3 in D Minor (after D. Scarlatti): I. Largo andante | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Major | 1 | 3B | 96 BPM | ||
Languet anima mea BWV deest 1006: V. Alleluja | Francesco Bartolomeo Conti, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki, Hana Blaziková | D♭ Minor | 2 | 12A | 120 BPM | ||
Stabat Mater, P. 77: I. Stabat mater dolorosa | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Te Deum, ZWV145: Per singulos dies | Jan Dismas Zelenka, Ensemble Inégal, Adam Viktora | A♭ Major | 1 | 4B | 121 BPM | ||
Jesu, meines Lebens Leben in D Minor, BuxWV 62: II. Ciaconna | Dietrich Buxtehude, Vox Luminis, Lionel Meunier, Ensemble Masques, Olivier Fortin | D Minor | 1 | 7A | 118 BPM |
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