"L'enfance du Christ, Op. 25, Pt. II, "La fuite en Égypte": Le songe d'Herode: Scene V, No. 5: Duo" by Hector Berlioz, Christiane Oelze, Christopher Maltman, Mark Padmore, Ralf Lukas, Bernhard Hartmann, Frank Bossert, Daniel Reuss, SWR Vokalensemble Stuttgart, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington was released on January 1, 2007. Since L'enfance du Christ, Op. 25, Pt. II, "La fuite en Égypte": Le songe d'Herode: Scene V, No. 5: Duo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 17 in Berlioz: L'Enfance Du Christ by Hector Berlioz, SWR Vokalensemble Stuttgart, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, L'enfance du Christ, Op. 25, Pt. II, "La fuite en Égypte": Le songe d'Herode: Scene V, No. 5: Duo is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'enfance du Christ, Op. 25, Pt. II, "La fuite en Égypte": Le songe d'Herode: Scene V, No. 5: Duo by Hector Berlioz, Christiane Oelze, Christopher Maltman, Mark Padmore, Ralf Lukas, Bernhard Hartmann, Frank Bossert, Daniel Reuss, SWR Vokalensemble Stuttgart, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5 In C Sharp Minor: IV. Adagietto. Sehr langsam | Gustav Mahler, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 87 BPM | ||
Symphonie No. 1 en Ré Majeur, Op. 25 "Classique": III. Gavotta, Non troppo allegro | Sergei Prokofiev, Bournemouth Symphony Orchestra, Kirill Karabits | D Major | 0 | 10B | 127 BPM | ||
Grande messe des morts, H 75: IV. Rex tremendae | Hector Berlioz, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis, London Philharmonic Choir | E Major | 1 | 12B | 76 BPM | ||
Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | ||
Les nuits d'été, Op. 7: 3. Sur les lagunes | Hector Berlioz, Kiri Te Kanawa, Orchestre de Paris, Daniel Barenboim | E Major | 4 | 12B | 80 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM | ||
Grieg : Symphonic Dances Op.64 : No.2 in A Major | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | A Major | 1 | 11B | 110 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | D Major | 1 | 10B | 83 BPM |
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