"The Plow that Broke the Plains: Prelude" by Virgil Thomson, Leonard Slatkin, St. Louis Symphony was released on March 12, 1991. With The Plow that Broke the Plains: Prelude being less than two minutes long, at 1:47, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "The American Album". In this album, this song's track order is #10. In terms of popularity, The Plow that Broke the Plains: Prelude is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Plow that Broke the Plains: Prelude by Virgil Thomson, Leonard Slatkin, St. Louis Symphony having a BPM of 94 with a half-time of 47 BPM and a double-time of 188 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
The music key of this track is A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
All-night Vigil, Op. 37, "Vespers": Beginning song: Come let us worship | Sergei Rachmaninoff, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 81 BPM | ||
Exultate Justi! | Lodovico Grossi da Viadana, Gloriae Dei Cantores, Elizabeth C. Patterson | A Major | 2 | 11B | 94 BPM | ||
Veni, Sancte Spiritus | Nordic Chamber Choir - Nicol Matt | A Major | 2 | 11B | 87 BPM | ||
Ballade to the Moon | Phoenix Chamber Choir, Daniel Elder | E Major | 0 | 12B | 130 BPM | ||
Our Father | Bulgarian National Choir | E♭ Minor | 2 | 2A | 78 BPM | ||
A Prayer | Jason Max Ferdinand Singers, Jason Max Ferdinand, Thomas Allen | F Minor | 1 | 4A | 94 BPM | ||
Hosanna to the Son of David | Thomas Weelkes, Andrew Fletcher, Ex Cathedra, Jeffrey Skidmore | B♭ Minor | 2 | 3A | 132 BPM | ||
When Gabriel’s Awful Trump Shall Sound | Virgil Thomson, Michigan State University Chorale, David Rayl | C Major | 2 | 8B | 89 BPM | ||
In monte Oliveti, IGM 4 | Giovanni Battista Martini, Pro Musica, Szabó Dénes | G Minor | 0 | 6A | 133 BPM | ||
Prose of the Consecration (Jerusalem et Sion Filiae) | Joseph Meunier d’Haudimont, Pierre Cochereau, Jehan Revert, Maîtrise de Notre-Dame de Paris, Léon Souberbielle, Jacques Marichal | C Minor | 0 | 5A | 129 BPM |
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