"I Cherusci, Act I: Fra noi ritorni il giubilo - Al valor" by Johann Simon Mayr, Markus Schäfer, Bayerischer Staatsopernchor, Simon Mayr Chorus, Concerto de Bassus, Franz Hauk was released on February 8, 2019. Since I Cherusci, Act I: Fra noi ritorni il giubilo - Al valor is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Simon Mayr, Franz Hauk, Concerto de Bassus, Markus Schäfer, Yvonne Prentki's "Mayr: I Cherusci" album is number 4 out of 41. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, I Cherusci, Act I: Fra noi ritorni il giubilo - Al valor is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of I Cherusci, Act I: Fra noi ritorni il giubilo - Al valor by Johann Simon Mayr, Markus Schäfer, Bayerischer Staatsopernchor, Simon Mayr Chorus, Concerto de Bassus, Franz Hauk to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa di Gloria: III. Laudamus | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Orfeó Català, Pablo Larraz | D Major | 1 | 10B | 89 BPM | ||
Mass in C Major, Op. 86: Gloria: Qui tollis peccata mundi | Ludwig van Beethoven, Katherine van Kampen, Ingeborg Danz, Keith Lewis, Michel Brodard, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 0 | 8B | 136 BPM | ||
Haydn: Mass in B-Flat Major, Hob. XXII:12 "Theresa Mass": Gloria | Joseph Haydn, Carol Vaness, Hansjürgen Scholze, MDR Leipzig Radio Chorus, Sir Neville Marriner, Staatskapelle Dresden | B♭ Major | 2 | 6B | 131 BPM | ||
7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
歌劇「魔笛」 第2幕~夜の女王のアリア | 佐藤美枝子, ジェイムズ・ロックハート, フィルハーモニア管弦楽団 | F Major | 2 | 7B | 71 BPM | ||
Les 7 paroles du Christ: Introduction, “O vos omnes” | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | D Minor | 1 | 7A | 112 BPM | ||
Messe en La Bémol Majeur, D. 678: I. Kyrie | Franz Schubert, RIAS Kammerchor, Philippe Herreweghe, Orchestre des Champs-Élysées | A♭ Major | 0 | 4B | 113 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: V. Contento forse vivere (Ancoro poco meno) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, Angharad Lyddon | G Minor | 0 | 6A | 140 BPM | ||
Mass No. 2 in G Major, D. 167: Credo: Credo in unum Deum | Franz Schubert, Claudia Reinhard, Rüdiger Ballhorn, Markus Flaig, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | ||
Arianna a Nasso: Sinfonia | Johann Simon Mayr, Cornelia Horak, Thomas Michael Allen, Simon Mayr Choir, Simon Mayr Ensemble, Franz Hauk | C Minor | 1 | 5A | 72 BPM |
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