Riccardo Stracciari made "Carmen, Riccardo Stracciari: Act II- "Toreador"" available on November 30, 2010. With this song being around four minutes long, at 3:35, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 40 in the song's album "Opera for ever new additions". In this album, this song's track order is #9. Based on our statistics, Carmen, Riccardo Stracciari: Act II- "Toreador"'s popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Carmen, Riccardo Stracciari: Act II- "Toreador" by Riccardo Stracciari having a BPM of 133 with a half-time of 66 BPM and a double-time of 266 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
H.M.S. Pinafore / Act 1: Hail! Men o'war's men..I'm called little buttercup | Arthur Sullivan, The D'Oyly Carte Opera Company, Gillian Knight, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 1 | 8B | 87 BPM | ||
Bellini: I puritani, Act 1: "Ah per sempre io ti perdei" (Riccardo) | Vincenzo Bellini, Ernest Blanc, Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre | D♭ Major | 2 | 3B | 136 BPM | ||
El Rey Que Rabió: "Duetto: Mientras con los reclutas" - Remastered | Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Pilar Lorengar, Tony Rosado, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica | F Major | 2 | 7B | 134 BPM | ||
Agnus Dei | Riccardo Stracciari | D Major | 3 | 10B | 81 BPM | ||
Les Pêcheurs de perles: Ce sont eux, les voici! (Zurga, Nadir, Leïla, Nourabad, Chieftains) | Georges Bizet, Ernest Blanc, Nicolai Gedda, Janine Micheau, Jacques Mars, Choeurs du Théâtre National De l'Opéra-Comique, Paris, Orchestre Du Theatre National De L'opera-comique, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | C Minor | 1 | 5A | 72 BPM | ||
Mírate en el espejo | Ofelia Nieto, Carlos Galeffi | E Major | 4 | 12B | 139 BPM | ||
Saint-Saëns: Samson et Dalila, Op. 47, Act 1: "Maudite à jamais soit la race des enfants d'Israël !" (Grand Prêtre) | Camille Saint-Saëns, Ernest Blanc, Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre | D♭ Major | 2 | 3B | 136 BPM | ||
Andrea Chénier / Act 2: Per l'ex inferno! | Umberto Giordano, Giorgio Tadeo, Kathleen Kuhlmann, Piero de Palma, National Philharmonic Orchestra, Riccardo Chailly | G Major | 5 | 9B | 113 BPM | ||
Mascagni: Cavalleria rusticana: "O Lola ch'hai di latti la cammisa" (Turiddu) | Pietro Mascagni, Tullio Serafin, Giuseppe Di Stefano, Orchestra Del Teatro Alla Scala, Milano | A♭ Major | 3 | 4B | 82 BPM | ||
Srdce v rákosí: "Hvězdy se líbají" | Jaroslav Jankovec, Dagmar Peckova, Zdeněk Matouš, Dvořák Chamber Orchestra, Miroslav Homolka | G Major | 1 | 9B | 66 BPM |
Section: 0.829913854598999
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