"Edelweiss (From "The Sound of Music") [Arr. Michael Hurst]" by Richard Rodgers, Michael Hurst, Oscar Hammerstein II, Lisa McCune, Teddy Tahu Rhodes, Tasmanian Symphony Orchestra, Guy Noble was released on August 21, 2015. The duration of Edelweiss (From "The Sound of Music") [Arr. Michael Hurst] is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Edelweiss (From "The Sound of Music") [Arr. Michael Hurst]'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 14 in From Broadway to La Scala by Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Australia. In terms of popularity, Edelweiss (From "The Sound of Music") [Arr. Michael Hurst] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Edelweiss (From "The Sound of Music") [Arr. Michael Hurst] by Richard Rodgers, Michael Hurst, Oscar Hammerstein II, Lisa McCune, Teddy Tahu Rhodes, Tasmanian Symphony Orchestra, Guy Noble is Andante (at a walking pace), since this song has a tempo of 108 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 3/4.
This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Give My Regards to Broadway | Joel Grey, George M! Ensemble | C Major | 5 | 8B | 137 BPM | ||
Losing My Mind | Dorothy Collins | D♭ Major | 1 | 3B | 103 BPM | ||
Cabaret: So What? | John Kander, Lotte Lenya, Harold Hastings | D♭ Major | 2 | 3B | 204 BPM | ||
Ballet (from "An Affair To Remember") | Gary Grant, Deborah Kerr | G Major | 4 | 9B | 71 BPM | ||
Follow Me and Children's Chorus | Camelot Original Soundtrack, Lee Herschberg | A♭ Major | 3 | 4B | 110 BPM | ||
You and I | Arthur Freed, Denny Markass | D Major | 0 | 10B | 88 BPM | ||
Cabaret: Willkommen | John Kander, Joel Grey, Cabaret Ensemble, Harold Hastings | F Major | 5 | 7B | 91 BPM | ||
Mame: Mame | Jerry Herman, Charles Braswell, Mame Ensemble, Donald Pippin | F Minor | 6 | 4A | 127 BPM | ||
Oklahoma!, Act 1: No. 9, Many a New Day | Richard Rodgers, Sierra Boggess, Sandra Marvin, 'Oklahoma!' Ensemble, Sinfonia Of London, John Wilson | B♭ Major | 2 | 6B | 153 BPM | ||
Wunderbar | Broadway Cast Recording | A Minor | 2 | 8A | 97 BPM |
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