Richard Rodgers, Sierra Boggess, Sandra Marvin, 'Oklahoma!' Ensemble, Sinfonia Of London, John Wilson made "Oklahoma!, Act 1: No. 9, Many a New Day" available on September 15, 2023. The duration of Oklahoma!, Act 1: No. 9, Many a New Day is about 3 minutes long, at 3:06. Based on our data, "Oklahoma!, Act 1: No. 9, Many a New Day" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 33 in the song's album "Rodgers & Hammerstein's Oklahoma! (Complete original score)". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Oklahoma!, Act 1: No. 9, Many a New Day's popularity is not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
With Oklahoma!, Act 1: No. 9, Many a New Day by Richard Rodgers, Sierra Boggess, Sandra Marvin, 'Oklahoma!' Ensemble, Sinfonia Of London, John Wilson having a BPM of 153 with a half-time of 76 BPM and a double-time of 306 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
You'll Never Walk Alone (From 'Carousel') | Oscar Hammerstein II, Richard Rodgers, Shirley Chapman/Sam Fonteyn, Sam Fonteyn, Orchestra | F Major | 2 | 7B | 89 BPM | ||
I've Never Been in Love Before | Josie de Guzman, Peter Gallagher | D♭ Major | 1 | 3B | 141 BPM | ||
A Heart Full Of Love | Sierra Boggess, Julian Ovenden | B Minor | 2 | 10A | 192 BPM | ||
Falling In Love With Love - from "The Boys From Syracuse" | Lorenz Hart, Richard Rodgers, Pro Musica Symphony Orchestra, Robert Ashley | G Major | 3 | 9B | 174 BPM | ||
The Girl in 14-G* - Vocal | Kristin Chenoweth | A Minor | 3 | 8A | 131 BPM | ||
Overture & Rock Island | Meredith Willson | D♭ Major | 4 | 3B | 111 BPM | ||
I Enjoy Being A Girl | Rodgers & Hammerstein | D♭ Major | 2 | 3B | 208 BPM | ||
Tonight | Sierra Boggess, Julian Ovenden | C Minor | 3 | 5A | 83 BPM | ||
You Are Beautiful - From 'Flower Drum Song' | Original London Cast | E♭ Major | 0 | 5B | 119 BPM | ||
A Little Bit In Love | Edith Adams | E♭ Major | 2 | 5B | 80 BPM |
Section: 0.5640838146209717
End: 0.5693345069885254