Sofia Gubaidulina, Beatrice Rauchs's 'Musical Toys (1969): I. Mechanical Accordion' had a release date set for March 11, 2014. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 45 out of 50 in Best - Sofia Gubaidulina by Sofia Gubaidulina, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Based on our statistics, Musical Toys (1969): I. Mechanical Accordion's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Musical Toys (1969): I. Mechanical Accordion by Sofia Gubaidulina, Beatrice Rauchs is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 1/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Seven Words (Sieben Worte) for Cello, bayan (accordion) and strings: I. Vater, vergib ihnen, denn sie wissen nicht, was sie tun | Sofia Gubaidulina, Torleif Thedéen, 御喜美江, Mario Venzago, Gothenburg Symphony Orchestra | G Major | 0 | 9B | 127 BPM | ||
Frauenliebe und Leben, Op. 42 (Arr. Reimann for Soprano and String Quartet): No. 1, Seit ich ihn gesehen | Robert Schumann, Claudia Barainsky, Delian Quartett | B♭ Major | 0 | 6B | 80 BPM | ||
Asunder: I. Agitated | Vijay Iyer, Boston Modern Orchestra Project, Gil Rose | B Minor | 2 | 10A | 104 BPM | ||
Serenade: II. Larghetto | Krzysztof Penderecki, Warsaw Philharmonic Chamber Orchestra, Antoni Wit | C Minor | 1 | 5A | 83 BPM | ||
Seven Words for Cello, Accordion & Strings: VII. Father, into Thy Hands I Comment My Spirit | Sofia Gubaidulina, Klaudiusz Baran, Marcin Zdunik, Sinfonia Varsovia, Michał Klauza | F Major | 1 | 7B | 80 BPM | ||
String Quartet No. 1 in G Major, Op. 58: II. Strimpellata. Mosso e spensierato | Mario Castelnuovo-Tedesco, Quartetto Adorno | A Major | 2 | 11B | 160 BPM | ||
Tristan und Isolde, WWV 90: V, Liebestrank - Paraphrase for String Septet by Martina Trumpp | Richard Wagner, Martina Trumpp, Stephan Knies, Solistenensemble D'Accord | B Major | 2 | 1B | 85 BPM | ||
Suite in G Major, P. 58 (Original Version): III. Pastorale: Andante molto sostenuto | Ottorino Respighi, Kyler Brown, Chamber Orchestra of New York, Salvatore Di Vittorio | D Minor | 1 | 7A | 104 BPM | ||
Saegirarenai kyusoku (Uninterrupted Rest): III. A song of love | Toru Takemitsu, Kotaro Fukuma | G Major | 0 | 9B | 0 BPM | ||
Two Pieces for violin, viola and piano: II. Allegro con molto moto | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM |