Johann Strauss II, Carl Michalski, Vienna Volksoper Orchestra's 'Roses from the South, Op. 388' came out on January 1, 2009. Since Roses from the South, Op. 388 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Johann Strauss II, Carl Michalski, Vienna Volksoper Orchestra's "Great Strauss Waltzes, Polkas & Marches: Carl Michalski & The Viennese Folk Opera Orchestra" album is number 8 out of 32. The popularity of Roses from the South, Op. 388 is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Roses from the South, Op. 388 by Johann Strauss II, Carl Michalski, Vienna Volksoper Orchestra to be Presto (very, very fast) because the track has a tempo of 186 BPM, a half-time of 93BPM, and a double-time of 372 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hummel: Trumpet Concerto In E Flat - Iii Rondo | Johann Nepomuk Hummel, Tine Thing Helseth | E♭ Major | 2 | 5B | 144 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18, "Scottish": 2. Vivace non troppo - Live | Felix Mendelssohn, Chamber Orchestra of Europe, Yannick Nézet-Séguin | F Major | 2 | 7B | 129 BPM | ||
8 Slavonic Dances, Op. 46: No. 3 in A flat (Poco allegro) | Antonín Dvořák, Gewandhausorchester, Kurt Masur | A♭ Major | 0 | 4B | 83 BPM | ||
The Skaters - Waltz (arr. Norman Bates) | Émile Waldteufel, Monte-Carlo Philharmonic Orchestra, Willi Boskovsky | A Major | 1 | 11B | 101 BPM | ||
Cavalleria Rusticana: Intermezzo | Philharmonische Vereinigung Arte Sinfonica, Heribert Brandt | F Major | 2 | 7B | 82 BPM | ||
Die Fledermaus / Act 2: Nr.11 Finale: "Im Feuerstrom der Reben" | Johann Strauss II, Julia Varady, Lucia Popp, Evi List, Hermann Prey, Benno Kusche, Bernd Weikl, Ivan Rebroff, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | D Major | 5 | 10B | 79 BPM | ||
Carmen, Opera Suite No. 2: Habanera (Act 1) | Georges Bizet, Marko Munih, Russian Symphony Orchestra Ljubljana | G Major | 1 | 9B | 134 BPM | ||
Pomp and Circumstance March No. 1 in D Major, Op .39, No. 1 | Edward Elgar, David Parry, London Philharmonic Orchestra | D Major | 3 | 10B | 89 BPM | ||
Lohengrin / Act 3: "Treulich geführt ziehet dahin" | Richard Wagner, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Wolfgang Sawallisch | B♭ Major | 1 | 6B | 82 BPM | ||
Radetzky March, Op. 228 | London Philharmonic Orchestra | A Major | 5 | 11B | 104 BPM |
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