Johann Strauss II, Vienna Volksoper Orchestra, Peter Falk's 'Voices of Spring, Op. 410' came out on January 1, 2009. Since Voices of Spring, Op. 410 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Vienna Volksoper Orchestra, Peter Falk's "Great Strauss Waltzes, Polkas & Marches: Peter Falk & The Viennese Folk Opera Orchestra" album is number 5 out of 29. On top of that, United States appears to be the country where this track was created. In terms of popularity, Voices of Spring, Op. 410 is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Voices of Spring, Op. 410 by Johann Strauss II, Vienna Volksoper Orchestra, Peter Falk to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gaîté Parisienne: Cancan | Jacques Offenbach, Leonard Bernstein, New York Philharmonic | D Major | 7 | 10B | 87 BPM | ||
Rákóczy March | Hector Berlioz, Arthur Fiedler | E Major | 3 | 12B | 106 BPM | ||
Brandenburg Concerto No. 3 in G Major, BWV 1048: I. [Allegro] | Johann Sebastian Bach, Trevor Pinnock, European Brandenburg Ensemble | F♯ Major | 4 | 2B | 101 BPM | ||
Ball Scene | Joseph Hellmesberger, Jr., Gothenburg Symphony Orchestra, Neeme Järvi | B Major | 3 | 1B | 116 BPM | ||
Symphony No 40: Molto Allegro | The Slovak Philharmonic Orchestra, Libor Pesek | G Minor | 1 | 6A | 88 BPM | ||
Hungarian Rhapsody No. 2 in C Sharp Minor, S. 244 | Franz Liszt, Roberto Szidon | D♭ Major | 3 | 3B | 102 BPM | ||
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 109 BPM | ||
Die Fledermaus / Act 2: "Herr, Chevalier, ich grüsse Sie!" | Johann Strauss II, Julia Varady, Lucia Popp, Evi List, Benno Kusche, Bernd Weikl, Hermann Prey, Ivan Rebroff, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Carlos Kleiber | F Major | 1 | 7B | 114 BPM | ||
La Traviata: Act I: Libiamo ne' lieti calici | Giuseppe Verdi, Montserrat Caballé, Carlo Bergonzi, Georges Prêtre, RCA Italiana Opera Orchestra | C Major | 4 | 8B | 70 BPM | ||
Ponchielli: La Gioconda, Op. 9, Act 3: Dance of the Hours (Excerpt) | Amilcare Ponchielli, Sir Neville Marriner, Academy of St. Martin in the Fields | E Major | 0 | 12B | 79 BPM |
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