Arthur Sullivan, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey made "Patience / Act 1: Twenty love-sick maidens we (II)" available on January 1, 2011. With Patience / Act 1: Twenty love-sick maidens we (II) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Arthur Sullivan, The D'Oyly Carte Opera Company's "Gilbert & Sullivan Collection" album is number 9 out of 456. Based on our statistics, Patience / Act 1: Twenty love-sick maidens we (II)'s popularity is unknown right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
We consider the tempo marking of Patience / Act 1: Twenty love-sick maidens we (II) by Arthur Sullivan, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Feel the Spirit: VII. When the saints go marching in | John Rutter, Melanie Marshall, The Cambridge Singers, BBC Concert Orchestra | D♭ Major | 0 | 3B | 93 BPM | ||
Donizetti: Lucia di Lammermoor, Act 1: "Quando rapito in estasi" (Lucia, Alisa) | Gaetano Donizetti, Maria Callas, Anna Maria Canali, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Przemysl | Paul Moravec, Oratorio Society of New York, Raehann Bryce-Davis, Joseph Charles Beutel, Kent Tritle | F Major | 2 | 7B | 65 BPM | ||
Humperdinck : Hänsel und Gretel : Act 2 "Der kleine Sandmann bin ich" [The Sandman] | Engelbert Humperdinck, Donald Runnicles, Bavarian Radio Symphony Orchestra | D Major | 0 | 10B | 132 BPM | ||
A Midsummer Night's Dream, Op. 61: Finale | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM | ||
Verdi: Otello: Atto Secondo: Dove guardi splendono | Giuseppe Verdi, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | E Minor | 0 | 9A | 82 BPM | ||
O cessate di piagarmi | Alessandro Scarlatti, Ramón Vargas | A Minor | 2 | 8A | 84 BPM | ||
Ruddigore: Scene: "Welcome gentry" | Ohio Light Opera | E Minor | 0 | 9A | 120 BPM | ||
The Adventures of Tin Tin: Air de Bijoux | Danish National Concert Choir, Danish National Symphony Orchestra, Christian Schumann, Beate Mordal | D Minor | 5 | 7A | 141 BPM | ||
H.M.S. Pinafore, Act I: Sorry Her Lot | Gilbert & Sullivan Society of Houston | F Major | 1 | 7B | 173 BPM |
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