"Gonoud & Bach, JS / Arr Dodd, Patrick, Evans : Ave Maria" by Charles Gounod, Johann Sebastian Bach, Wynne Evans, Richard Balcombe, The City of Prague Philharmonic Orchestra was released on March 18, 2011. With this song being about 5 minutes long, at 5:00, "Gonoud & Bach, JS / Arr Dodd, Patrick, Evans : Ave Maria" by Charles Gounod, Johann Sebastian Bach, Wynne Evans, Richard Balcombe, The City of Prague Philharmonic Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 15 out of 16 in A Song In My Heart by Wynne Evans, Richard Balcombe, The City of Prague Philharmonic Orchestra. The popularity of Gonoud & Bach, JS / Arr Dodd, Patrick, Evans : Ave Maria is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Gonoud & Bach, JS / Arr Dodd, Patrick, Evans : Ave Maria by Charles Gounod, Johann Sebastian Bach, Wynne Evans, Richard Balcombe, The City of Prague Philharmonic Orchestra is Vivace (lively and fast), since this song has a tempo of 165 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Reine du Saba: Sous les pieds d'une femme (Recorded 1912) | Charles Gounod, Marcel Journet | B♭ Minor | 1 | 3A | 107 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, San Francisco Symphony, Michael Tilson Thomas | F♯ Minor | 0 | 11A | 62 BPM | ||
Mascagni: Cavalleria rusticana: Intermezzo | Pietro Mascagni, Riccardo Muti, Philharmonia Orchestra | F Major | 1 | 7B | 85 BPM | ||
Nocturne No.1 In B Flat Minor, Op.9 No.1 | Frédéric Chopin, Maurizio Pollini | D♭ Major | 0 | 3B | 75 BPM | ||
Gounod: Faust, Act 3: "Les grands seigneurs ... Ah ! je ris de me voir si belle" (Marguerite) | Charles Gounod, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | D Major | 1 | 10B | 100 BPM | ||
The Gadfly Suite, Op. 97a: Romance | Dmitri Shostakovich, Nemanja Radulović, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | D♭ Major | 1 | 3B | 135 BPM | ||
Cantabile, MS 109/Op. 17 (Arr. for Cello and Guitar) | Niccolò Paganini, Jan Vogler | D Major | 3 | 10B | 124 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | ||
Adagio in G Minor | Tomaso Albinoni, Chamber Orchestra of Miemo | G Minor | 3 | 6A | 90 BPM |
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