Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor's 'Weinen, Klagen, Sorgen, Zagen, Cantata BWV 12: 7. "Was Gott tut, das ist wohlgetan"' came out on April 3, 2021. With Weinen, Klagen, Sorgen, Zagen, Cantata BWV 12: 7. "Was Gott tut, das ist wohlgetan" being less than two minutes long, at 1:06, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 17 out of 50 in Bach - Easter by Johann Sebastian Bach. Weinen, Klagen, Sorgen, Zagen, Cantata BWV 12: 7. "Was Gott tut, das ist wohlgetan" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Weinen, Klagen, Sorgen, Zagen, Cantata BWV 12: 7. "Was Gott tut, das ist wohlgetan" by Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor is Andante (at a walking pace), since this song has a tempo of 77 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les plaisirs: Sarabande | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 144 BPM | ||
Concerto for 4 Keyboards in A Minor, BWV 1065 (arr. of Vivaldi's, Concerto for 4 Violins in B Minor, Op. 3, No. 10, RV 580): I. — | Johann Sebastian Bach, Robert Levin, Mario Videla, Michael Behringer, Boris Kleiner, Bach-Collegium Stuttgart, Helmuth Rilling | C Major | 0 | 8B | 108 BPM | ||
Vivaldi - Concerto in D Major "Grosso Mogul" RV 208: I Allegro | Antonio Vivaldi, Viktoria Mullova, Il Giardino Armonico, Giovanni Antonini | D♭ Major | 2 | 3B | 126 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
Concerto Grosso In C Minor, Op. 6, No. 3 : III. Grave | Arcangelo Corelli, Ludovit Kanta, Daniela Ruso, Anna Holbling, Quido Holbling, Capella Istropolitana | F Minor | 1 | 4A | 108 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 132 BPM | ||
Concerto in G minor, after unknown, BWV 983: Adagio | Ivo Janssen | G Minor | 0 | 6A | 72 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
6 Chants polonais, S. 480: No. 2, Frühling (Wiosna, Spring) [After Chopin's Op. 74] | Franz Liszt, Joseph Banowetz | G Minor | 0 | 6A | 96 BPM | ||
Sinfonia in C major, RV 112: II. Andante | Karoly Botvay | C Minor | 1 | 5A | 112 BPM |
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