Jean-Baptiste Lully, Bernard Deletré, Philippe Herreweghe, Collegium Vocale Gent, Gilles Ragon, La Chapelle Royale, Noemi Rime made "Armide: Act IV, Scene 2: Gavotte. Canarie. Ubalde : "Allons, qui vous retient encore ?"" available on 1993. The duration of Armide: Act IV, Scene 2: Gavotte. Canarie. Ubalde : "Allons, qui vous retient encore ?" is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Armide: Act IV, Scene 2: Gavotte. Canarie. Ubalde : "Allons, qui vous retient encore ?"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jean-Baptiste Lully, Philippe Herreweghe, La Chapelle Royale, Collegium Vocale Gent's "Lully: Armide" album is number 9 out of 39. On top of that, France appears to be the country where this track was created. In terms of popularity, Armide: Act IV, Scene 2: Gavotte. Canarie. Ubalde : "Allons, qui vous retient encore ?" is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Armide: Act IV, Scene 2: Gavotte. Canarie. Ubalde : "Allons, qui vous retient encore ?" by Jean-Baptiste Lully, Bernard Deletré, Philippe Herreweghe, Collegium Vocale Gent, Gilles Ragon, La Chapelle Royale, Noemi Rime to be Andante (at a walking pace) because the track has a tempo of 97 BPM, a half-time of 48BPM, and a double-time of 194 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Atys, Acte V, Scène 1: "Vous m'ôtez Sangaride" (Célénus) | Jean-Baptiste Lully, Jean-François Gardeil, Guillemette Laurens, Les Arts Florissants, William Christie | D♭ Major | 1 | 3B | 93 BPM | ||
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XII. [Alla Hornpipe] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Major | 2 | 3B | 132 BPM | ||
A la venue de noël | Marc-Antoine Charpentier, Elizabeth Wallfisch, Nicholas Kraemer | D♭ Minor | 2 | 12A | 92 BPM | ||
Prelude In D Major, BWV 925 : Prelude In D Major, BWV 925 | Janos Sebestyen, Johann Sebastian Bach | D Major | 3 | 10B | 139 BPM | ||
Requiem in C Minor: II. Graduale | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | G Minor | 1 | 6A | 105 BPM | ||
Concert À Deux Violes Esgales "Le Retour" (Sainte-Colombe) | Jordi Savall | D♭ Major | 0 | 3B | 86 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Concerto In D Major For 2 Violins, Strings & Continuo, RV 511: 2. Largo | Antonio Vivaldi, Viktoria Mullova, Giuliano Carmignola, Venice Baroque Orchestra, Andrea Marcon | E Minor | 0 | 9A | 75 BPM | ||
Trio Sonata No. 4 in C Major, DürG 13 (Attrib. J.S. Bach as BWV 1037): I. Adagio | Johann Gottlieb Goldberg, London Baroque | D Major | 0 | 10B | 87 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM |
Section: 0.7040877342224121
End: 0.732398271560669