"Le nozze di Figaro, K. 492, Act II: "Porgi amor" (De "Todos Los Hombres Del Rey"" by The Oscar's Orchestra was released on November 30, 2014. Since Le nozze di Figaro, K. 492, Act II: "Porgi amor" (De "Todos Los Hombres Del Rey" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in The Oscar's Orchestra's "Mozart Va al Cine, Vol. 2" album is number 6 out of 20. Le nozze di Figaro, K. 492, Act II: "Porgi amor" (De "Todos Los Hombres Del Rey" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le nozze di Figaro, K. 492, Act II: "Porgi amor" (De "Todos Los Hombres Del Rey" by The Oscar's Orchestra to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Dolores / Act 1: Jota | Tomás Bretón, Elisabete Matos, Raquel Pierotti, Máire Lang, Santiago Calderon, Tito Beltrán, Cor Del Gran Teatro De Liceu, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Antoni Ros Marbá | A Major | 2 | 11B | 108 BPM | ||
The Magic Flute, K. 620: Act II, No.14. Aria: "Der Hölle Rache kocht in meinem Herzen" | Rundfunkorchester des Südwestfunks Baden-Baden | F Major | 1 | 7B | 144 BPM | ||
La Gazza Ladra - La Urraca Ladrona Obertura | Gioachino Rossini, Inma Shara | E Major | 1 | 12B | 138 BPM | ||
Serenade for Strings in C Op. 48 - Waltz | Le grand orchestre classique, Charles Gerhardt, National Philharmonic Orchestra | G Major | 3 | 9B | 60 BPM | ||
Requiem in D Minor K. 626: VIII. Domine Jesu (De "La Pasión De La Vida") | The Oscar's Orchestra | D Minor | 3 | 7A | 93 BPM | ||
Concierto de Aranjuez: I. Allegro con spirito | Joaquín Rodrigo, Gerald Garcia, Slovak State Philharmonic Orchestra, Kosice, Peter Breiner | G Major | 1 | 9B | 112 BPM | ||
Les contes d'Hoffmann, Op. 67: Belle nuit, ô nuit d'amour "Barcarolle" | Jacques Offenbach, Andre Kostelanetz, New York Philharmonic | D Major | 2 | 10B | 150 BPM | ||
Danza Húngara - Alternate Mix | Orquesta Festival De Praga | G Minor | 2 | 6A | 155 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": II. Largo | Antonín Dvořák, Waldo De Los Ríos, Orquesta Manuel de Falla | D♭ Major | 4 | 3B | 140 BPM | ||
Un Bel Di-Madame Butterfly (De "Atracción Fatal") | The Oscar's Orchestra | D♭ Major | 2 | 3B | 88 BPM |
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