"4 pièces brèves pour piano: V. Comme une gigue" by Frank Martin, Daniel Spiegelberg was released on 1991. The duration of 4 pièces brèves pour piano: V. Comme une gigue is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. 4 pièces brèves pour piano: V. Comme une gigue's duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 20 in Frank Martin: Complete Piano Solo Works by Frank Martin, Daniel Spiegelberg. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. 4 pièces brèves pour piano: V. Comme une gigue is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 4 pièces brèves pour piano: V. Comme une gigue by Frank Martin, Daniel Spiegelberg is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Virga Jesse, WAB 52 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
To See a World | Sven-David Sandström, Musikhögskolans Kammarkör Piteå, Erik Westberg | G Minor | 0 | 6A | 84 BPM | ||
Musikalische Exequien, Op. 7, SWV 279-281: III. Canticum B. Simeonis "Herr, nun lässest Du Deinen Diener" | Heinrich Schütz, La Chapelle Royale, Philippe Herreweghe | G Minor | 1 | 6A | 78 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": VIII. Andante con moto. "Nun danket alle Gott" | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor Stuttgart | G Major | 2 | 9B | 81 BPM | ||
In terra pax, Part III: Notre Père, qui es aux cieux (Our Father which art in heaven) | Frank Martin, Matthias Bamert, London Philharmonic Orchestra, Della Jones, Judith Howarth, Martyn Hill, Roderick Williams, Stephen Roberts, Brighton Festival Chorus | E♭ Minor | 1 | 2A | 88 BPM | ||
25 Scottish Songs, Op. 108: No. 20, Faithfu' Johnie | Ludwig van Beethoven, Gerald Finley, Nicola Benedetti, Sheku Kanneh-Mason, Benjamin Grosvenor | E♭ Major | 1 | 5B | 99 BPM | ||
Le mystere de la Nativite: Part II: Au paradis | Frank Martin, Christophe Einhorn, Hans-Jurg Rickenbacher, Rudolf Rosen, Musikhochschule Luzern Mozart-Ensemble, Madchenchor inVoice Stadtische Musikschule Luzern, Luzerner Sinfonieorchester, Alois Koch | D Major | 3 | 10B | 122 BPM | ||
Vigilia: No. 4, Avuksihuutopsalmi | Einojuhani Rautavaara, Helsinki Chamber Choir, Nils Schweckendiek | E Major | 1 | 12B | 89 BPM | ||
Cello Concerto: II. Adagietto | Frank Martin, Estelle Revaz, L'Orchestre de Chambre de Geneve, Arie Van Beek | F Minor | 2 | 4A | 157 BPM | ||
Anton Bruckner: Ave Maria | Anton Bruckner, Schola Cantorum, Tone Bianca Sparre Dahl | F Major | 1 | 7B | 74 BPM |
Section: 0.9394688606262207
End: 0.9429070949554443