"Semana de Pasión: O Crux, Ave Spes Unica. 5 v. m. - Remastered" by Cristobal de Morales, Coros De Radio Nacional De España, Alberto Blancafort was released on March 15, 1961. The duration of Semana de Pasión: O Crux, Ave Spes Unica. 5 v. m. - Remastered is about 3 minutes long, at 3:19. Based on our data, "Semana de Pasión: O Crux, Ave Spes Unica. 5 v. m. - Remastered" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Polifonía de Semana Santa". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Spain. In terms of popularity, Semana de Pasión: O Crux, Ave Spes Unica. 5 v. m. - Remastered is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Semana de Pasión: O Crux, Ave Spes Unica. 5 v. m. - Remastered by Cristobal de Morales, Coros De Radio Nacional De España, Alberto Blancafort having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christ fuhr gen Himmel | Sjaella | E Minor | 1 | 9A | 134 BPM | ||
Carmina Burana: No. 21, In trutina | Carl Orff, Simona Saturova | D Major | 0 | 10B | 80 BPM | ||
4 Songs, Op. 13: No. 3. Sure on this shining night | Samuel Barber, Birmingham Conservatoire Chamber Choir, Ben Kennedy, Paul Spicer | B♭ Major | 0 | 6B | 101 BPM | ||
A Little Jazz Mass (version for mixed chorus, piano, double bass and drum kit): Sanctus | Bob Chilcott, Wellensian Consort, Will Todd Trio, Christopher Finch | A♭ Major | 1 | 4B | 76 BPM | ||
When David heard | Thomas Tomkins, Choir of Clare College, Cambridge, Graham Ross | C Major | 1 | 8B | 129 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Paul O'Dette | D Minor | 2 | 7A | 87 BPM | ||
Missa Mille regretz: IIIe. Et in Spiritum Sanctum | Cristobal de Morales, Robert Hollingworth, De Profundis | G Minor | 3 | 6A | 128 BPM | ||
Locus iste, WAB 23 | Anton Bruckner, Collegium Vocale Gent, Philippe Herreweghe | C Major | 0 | 8B | 66 BPM | ||
Tant que vivrai | Claudin de Sermisy, Harmonia Recorder Ensemble | G Major | 0 | 9B | 124 BPM | ||
3 Choruses from Tsar Fyodor Ioannovich: No. 2. Sacred Love | St. Petersburg Optina Pustyn Male Choir | C Minor | 0 | 5A | 84 BPM |
Section: 1.010216474533081
End: 1.01582932472229