"Préludes, Book 1, L 117: The Girl with the Flaxen Hair - La fille aux cheveux de lin" by Claude Debussy, Jaime Weytens was released on October 24, 2014. The duration of Préludes, Book 1, L 117: The Girl with the Flaxen Hair - La fille aux cheveux de lin is about two minutes long, specifically at 2:18. This song does not appear to have any foul language. Préludes, Book 1, L 117: The Girl with the Flaxen Hair - La fille aux cheveux de lin's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Peaceful Piano Works". In this album, this song's track order is #9. Préludes, Book 1, L 117: The Girl with the Flaxen Hair - La fille aux cheveux de lin is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Préludes, Book 1, L 117: The Girl with the Flaxen Hair - La fille aux cheveux de lin by Claude Debussy, Jaime Weytens having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lullaby, Op. 57 No. 2 (Arr. for Cello & Piano) | Cyril Scott, Richard Jenkinson, Benjamin Frith | D Major | 0 | 10B | 91 BPM | ||
Consolations, S. 172: No. 3, Lento placido in D-Flat Major | Franz Liszt, Henrik Måwe | A♭ Major | 1 | 4B | 73 BPM | ||
The Wounded Heart, Op. 34, No. 1 (From "Elegiac Melodies") | Edvard Grieg, Yo-Yo Ma, Kathryn Stott | G Major | 1 | 9B | 81 BPM | ||
Il bell'Antonio, Tema III | Giovanni Sollima, Yo-Yo Ma, Kathryn Stott | C Minor | 1 | 5A | 88 BPM | ||
Deux Arabesques, L. 66: Arabesque No. 1 in E Major | Claude Debussy, Xavier De Maistre | F Minor | 0 | 4A | 97 BPM | ||
Cantabile, MS 109/Op. 17 (Arr. for Cello and Guitar) | Niccolò Paganini, Jan Vogler | D Major | 3 | 10B | 124 BPM | ||
Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | ||
Antiche danze ed arie per liuto, Suite No. 3, P. 172: I. Italiana. Andantino | Ottorino Respighi, Orchestra Filarmonica Della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
Gluck / Arr Sgambati : Orfeo ed Euridice : Mélodie | Christoph Willibald Gluck, Alessio Bax | D Minor | 0 | 7A | 166 BPM | ||
Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM |
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