Gioachino Rossini, Nicola Rossi-Lemeni, Gianandrea Gavazzeni, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano made "Rossini: Il turco in Italia , Act 2: "D'un bell'uso di Turchia" (Selim, Geronio)" available on September 19, 2014. The duration of Rossini: Il turco in Italia , Act 2: "D'un bell'uso di Turchia" (Selim, Geronio) is about 3 minutes long, at 3:15. Based on our data, "Rossini: Il turco in Italia , Act 2: "D'un bell'uso di Turchia" (Selim, Geronio)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 44 in the song's album "Rossini: Il turco in Italia (1954 - Gavazzeni) - Callas Remastered". In this album, this song's track order is #30. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Rossini: Il turco in Italia , Act 2: "D'un bell'uso di Turchia" (Selim, Geronio)'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Rossini: Il turco in Italia , Act 2: "D'un bell'uso di Turchia" (Selim, Geronio) by Gioachino Rossini, Nicola Rossi-Lemeni, Gianandrea Gavazzeni, Nicolai Gedda, Orchestra Del Teatro Alla Scala, Milano having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lucrezia Borgia - Act I - Com'è bello! Quale incanto | Gaetano Donizetti, Montserrat Caballé, Carlo Felice Cillario | E♭ Major | 1 | 5B | 63 BPM | ||
Andante, Theme and Variations in B-Flat Major: No. 4, Variation II | Gioacchino Rossini, Südwestdeutsches Kammerorchester Pforzheim, Vladislav Czarnecki, Alessandro Carbonare | B♭ Major | 2 | 6B | 145 BPM | ||
Porgi amor (Le Nozze di Figaro: Contessa, 3.Akt) | Wolfgang Amadeus Mozart, Lucia Popp, Munich Radio Orchestra, Leonard Slatkin, Muenchner Rundfunkorchester | F Major | 2 | 7B | 114 BPM | ||
Tosca / Act I: Mario! Mario! Mario! | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 104 BPM | ||
Bellini: Norma, Act 1 Scene 4: No. 4d, "Ah! bello a me ritorna" (Norma, Chorus) | Vincenzo Bellini, Angela Gheorghiu, Chorus of the Royal Opera House, Covent Garden, Terry Edwards, London Symphony Orchestra, Evelino Pidò | F Major | 1 | 7B | 116 BPM | ||
Gounod: Faust, CG 4, Act 1 Scene 1: No. 2, Scène et Choeur, (b) "Ah! Paresseuse fille qui sommeille encor!" (Choeur, Faust) | Charles Gounod, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
Lohengrin, WWV 75 / Act III: "In fernem Land, unnahbar euren Schritten" | Richard Wagner, Siegfried Jerusalem, Kurt Moll, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | D Major | 1 | 10B | 94 BPM | ||
Falstaff / Act 3: Dal labbro il canto estasiato | Giuseppe Verdi, Dalmacio Gonzales, Barbara Hendricks, Katia Ricciarelli, Lucia Valentini Terrani, Brenda Boozer, Los Angeles Philharmonic, Carlo Maria Giulini | A♭ Major | 0 | 4B | 127 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: "Kak ya lyublyu pod zvuki pesen etikh...Uzh kak po mostu, mostochku" | Pyotr Ilyich Tchaikovsky, Nuccia Focile, Olga Borodina, Orchestre de Paris, Semyon Bychkov | D♭ Major | 2 | 3B | 100 BPM | ||
Les Contes d'Hoffmann / Act 2: "Voici les valseurs!" | Jacques Offenbach, Gérard Friedmann, Paul Crook, Plácido Domingo, Edita Gruberova, Claudia Eder, Gabriel Bacquier, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | G Major | 3 | 9B | 69 BPM |
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