Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn made "Undine: Act II: Recitative and Ballet Music: Seid zwiefach mir willkommen (Beltalda)" available on January 1, 2005. Since Undine: Act II: Recitative and Ballet Music: Seid zwiefach mir willkommen (Beltalda) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Albert Lortzing, Monika Krause, Kurt Peter Eichhorn's "Lortzing, A.: Undine [Opera]" album is number 3 out of 37. On top of that, United States appears to be the country where this track was created. Based on our statistics, Undine: Act II: Recitative and Ballet Music: Seid zwiefach mir willkommen (Beltalda)'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Undine: Act II: Recitative and Ballet Music: Seid zwiefach mir willkommen (Beltalda) by Albert Lortzing, Monika Krause, Josef Protschka, Heinz Kruse, John Janssen, Christine Hampe, Andreas Schmidt, Ingeborg Most, Klaus Hager, Günter Wewel, Dirk Schortemeier, Cologne West German Radio Chorus, Cologne West German Radio Orchestra, Kurt Peter Eichhorn to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Act I: Wie kannst du so mein Herz touchieren? | Albert Lortzing, Hans Sotin, Staatskapelle Dresden, Bernhard Klee | E♭ Major | 1 | 5B | 86 BPM | ||
Messa di Gloria: VII. Qui tollis peccata | Giacomo Puccini, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | F Major | 1 | 7B | 116 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | Ludwig van Beethoven, Sir Simon Rattle | F Major | 1 | 7B | 176 BPM | ||
Fidelio, Op. 72: Act I: March | Ludwig van Beethoven, Reiner Goldberg, Bulgarian National Svetoslav Obretenov Choir, Budapest Symphony Orchestra, Sofia Philharmonic Orchestra, Staatskapelle Berlin, Tamas Pal, Siegfried Kurz, Georgi Robev | D♭ Major | 0 | 3B | 62 BPM | ||
Die erste Walpurgisnacht, Op. 60: Ouverture: Der schlechte Wetter | Felix Mendelssohn, Kurt Masur, Leipzig Gewandhaus Orchestra | A Minor | 2 | 8A | 157 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): V. Sicilienne - Allegretto molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | G Minor | 0 | 6A | 98 BPM | ||
Rosamunde, D.797 (Incidental music to Helmina von Chézy's Play): Chorus of Spirits: "In der Tiefe wohnt das Licht" | Franz Schubert, Gewandhausorchester, Kurt Masur, MDR Leipzig Radio Chorus | G Major | 0 | 9B | 85 BPM | ||
Sinfonia concertante in F Major, Op. 38: III. Adagio | Franz Krommer, Orchestra della Svizzera Italiana, Howard Griffiths, Bruno Grossi, Marco Schiavon, Robert Kowalski | B♭ Major | 1 | 6B | 177 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Von den Freuden und Leidenschaften | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | C Minor | 5 | 5A | 150 BPM | ||
Zar und Zimmermann · Komische Oper in 3 Akten (1995 Digital Remaster), Zweiter Akt: Lebe wohl, mein flandrisch' Mädchen (Marquis - Marie - Chor) | Albert Lortzing, Hermann Prey/Peter Schreier/Gottlob Frick/Erika Köth/Anneliese Burmeister /Nicolai Gedda/Fred Teschler/Siegfried Vogel /Chor des Leipziger Rundfunks/Staatskapelle Dresden/Robert Heger, Robert Heger, Staatskapelle Dresden | G Major | 1 | 9B | 75 BPM |
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