"Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante" by Johann Sebastian Bach, Trevor Pinnock, European Brandenburg Ensemble was released on January 3, 2008. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 5 out of 19 in Bach: Six Concertos for the Margrave of Brandenburg by Johann Sebastian Bach, Trevor Pinnock. Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante by Johann Sebastian Bach, Trevor Pinnock, European Brandenburg Ensemble is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto Grosso In F Major, Op. 6, No. 6 : III. Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D Minor | 1 | 7A | 55 BPM | ||
Canon And Gigue In D Major, P 37: 2. Gigue | Johann Pachelbel, Daniel Hope, Lorenza Borrani, Lucy Gould, Jonathan Cohen, Kristian Bezuidenhout, Stefan Maass, Stefan Rath | A Major | 2 | 11B | 61 BPM | ||
Concerto For 3 Harpsichords, Strings, And Continuo No.2 In C, BWV 1064: 2. Adagio | Johann Sebastian Bach, Kenneth Gilbert, Lars Ulrik Mortensen, The English Concert, Trevor Pinnock | A♭ Minor | 1 | 1A | 72 BPM | ||
Bach, J.S.: Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | D♭ Minor | 0 | 12A | 108 BPM | ||
Cello Concerto in A major, Wq. 172: Cello Concerto in A major, Wq. 172: I. Allegro di molto | Carl Philipp Emanuel Bach, Alison McGillivray, The English Concert | A♭ Major | 1 | 4B | 120 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: VI. Giga: Vivace | Arcangelo Corelli, Daniela Ruso, Ludovit Kanta, Anna Holbling, Quido Holbling, Capella Istropolitana | B♭ Major | 1 | 6B | 59 BPM | ||
La gloria di primavera, Pt. 1: Part I: Sinfonia | Alessandro Scarlatti, Philharmonia Baroque Orchestra, Nicholas McGegan | A♭ Major | 1 | 4B | 108 BPM | ||
Cello Concerto in A Minor, Wq. 170: III. Allegro assai | Carl Philipp Emanuel Bach, Julian Steckel, Stuttgart Chamber Orchestra, Susanne Von Gutzeit | A Minor | 2 | 8A | 169 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.10 in E minor BWV855 | Daniel Barenboim | E Minor | 1 | 9A | 62 BPM | ||
Simphonia V: Chaconne in D Major | Louis-Nicolas Clérambault, Fabio Bonizzoni, La Risonanza | D♭ Major | 1 | 3B | 121 BPM |
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