Johann Sebastian Bach, Les Musiciens du Louvre, Marc Minkowski, Blandine Staskiewicz, Joanne Lunn, Julia Lezhneva, Lucy Crowe, Nathalie Stutzmann, Terry Wey, Markus Brutscher, Colin Balzer, Christian Immler, Luca Tittoto's 'Messe in B Minor, BWV 232: No. 22, Sanctus' came out on December 22, 2008. With this song being about 5 minutes long, at 5:03, "Messe in B Minor, BWV 232: No. 22, Sanctus" by Johann Sebastian Bach, Les Musiciens du Louvre, Marc Minkowski, Blandine Staskiewicz, Joanne Lunn, Julia Lezhneva, Lucy Crowe, Nathalie Stutzmann, Terry Wey, Markus Brutscher, Colin Balzer, Christian Immler, Luca Tittoto is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 10 out of 27 in Bach: Messe en Si, BWV 232 by Johann Sebastian Bach, Les Musiciens du Louvre, Marc Minkowski. Going off of the ISRC code of this track, we detected that the origin of this track is from France. In terms of popularity, Messe in B Minor, BWV 232: No. 22, Sanctus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Messe in B Minor, BWV 232: No. 22, Sanctus by Johann Sebastian Bach, Les Musiciens du Louvre, Marc Minkowski, Blandine Staskiewicz, Joanne Lunn, Julia Lezhneva, Lucy Crowe, Nathalie Stutzmann, Terry Wey, Markus Brutscher, Colin Balzer, Christian Immler, Luca Tittoto is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on 'Non piu mesta' from Rossini's Opera 'La Cenerentola' | Nora Mercz, Frédéric Chopin, Janos Balint | E Major | 0 | 12B | 73 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM | ||
3 Romances, Op. 22: No. 1, Andante molto (Arr. Knoth for Cello and Piano) | Clara Schumann, Sophie Kauer, Kunal Lahiry | D♭ Major | 0 | 3B | 68 BPM | ||
Orchestral Suite No. 3 in D, BWV 1068: 2. Air | Johann Sebastian Bach, Janine Jansen, Boris Brovtsyn, Cindy Albracht, Frederik Paulsson, Julia-Maria Kretz, Tijmen Huisingh, Monika Urbonaite, Nimrod Guez, Pauline Sachse, Maarten Jansen, Rick Stotijn, Jan Jansen | D Major | 2 | 10B | 66 BPM | ||
24 Préludes, Op. 28: No. 4 in E Minor | Frédéric Chopin, Martha Argerich | A Minor | 0 | 8A | 51 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune | Claude Debussy, Alice Sara Ott | D♭ Major | 0 | 3B | 69 BPM | ||
Solfeggio in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Matthias Veit | F Minor | 1 | 4A | 77 BPM | ||
Violin Partita No. 3 in E Major, BWV 1006: I. Preludio | Johann Sebastian Bach, Hilary Hahn | A Major | 3 | 11B | 126 BPM |
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