"Violin Concerto No. 3 in B Minor, Op. 61: 3. Molto moderato e maestoso" by Camille Saint-Saëns, Joshua Bell, Orchestre Symphonique de Montréal, Charles Dutoit was released on November 1, 1989. Violin Concerto No. 3 in B Minor, Op. 61: 3. Molto moderato e maestoso appears to be safe for all ages as it is not explicit. There are a total of 8 in the song's album "Saint-Saëns: Violin Concerto No. 3 / Lalo: Symphonie espagnole". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Violin Concerto No. 3 in B Minor, Op. 61: 3. Molto moderato e maestoso is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto No. 3 in B Minor, Op. 61: 3. Molto moderato e maestoso by Camille Saint-Saëns, Joshua Bell, Orchestre Symphonique de Montréal, Charles Dutoit having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
Carnival of the Animals: XIII. Le Cygne (The Swan) (arr. for cello and orchestra) | Paul Vidal, Camille Saint-Saëns, Maria Kliegel, Bournemouth Sinfonietta, Jean-François Monnard | E Major | 1 | 12B | 143 BPM | ||
3 Gymnopédies: No.1 Lent et douloureux | Erik Satie, Jean-Yves Thibaudet | G Major | 0 | 9B | 74 BPM | ||
Violin Concerto No. 2 in B Minor, Op. 7, "La campanella": III. Rondo | Niccolò Paganini, Netherlands Symphony Orchestra, Rudolf Koelman, Jan Willem de Vriend | B Minor | 2 | 10A | 105 BPM | ||
Symphony No. 25 in G minor, K.183: 1. Allegro con brio | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | G Minor | 2 | 6A | 80 BPM | ||
Rinaldo, HWV 7: Lascia ch'io pianga (Arr. for Piano) | George Frideric Handel, Martin Stadtfeld | F Major | 0 | 7B | 68 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 3 Aspen | Jean Sibelius, Håvard Gimse | A♭ Minor | 0 | 1A | 0 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Arietta | Edvard Grieg, Christopher Ferreira | E♭ Major | 0 | 5B | 142 BPM | ||
Prélude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff | F♯ Minor | 1 | 11A | 115 BPM |
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