"Carnival of the Animals: XIII. Le Cygne (The Swan) (arr. for cello and orchestra)" by Paul Vidal, Camille Saint-Saëns, Maria Kliegel, Bournemouth Sinfonietta, Jean-François Monnard was released on February 28, 1997. The duration of Carnival of the Animals: XIII. Le Cygne (The Swan) (arr. for cello and orchestra) is about 3 minutes long, at 3:25. Based on our data, "Carnival of the Animals: XIII. Le Cygne (The Swan) (arr. for cello and orchestra)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Saint-Saens: Cello Concertos Nos. 1 and 2 / Suite, Op. 16". In this album, this song's track order is #12. Furthermore, we believe that the track originated from Hong Kong. Based on our statistics, Carnival of the Animals: XIII. Le Cygne (The Swan) (arr. for cello and orchestra)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Carnival of the Animals: XIII. Le Cygne (The Swan) (arr. for cello and orchestra) by Paul Vidal, Camille Saint-Saëns, Maria Kliegel, Bournemouth Sinfonietta, Jean-François Monnard having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
In the Steppes of Central Asia | Alexander Borodin, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | A Major | 0 | 11B | 68 BPM | ||
The Color Purple: Main Title | Quincy Jones, Rod Temperton, Jeremy Lubbock, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 107 BPM | ||
Trãume | Richard Wagner, Anne Akiko Meyers | A Major | 2 | 11B | 175 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172 | Franz Liszt, Lang Lang | D♭ Major | 0 | 3B | 74 BPM | ||
Violin Concerto, Op. 14: II. Andante - Instrumental | Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra | E Major | 1 | 12B | 102 BPM | ||
Concerto No. 21 in C Major for Piano and Orchestra, K. 467: II. Andante | Finghin Collins | F Major | 1 | 7B | 177 BPM | ||
Frühlingslied Op.62 No.6 | Felix Mendelssohn, Jean-Bernard Pommier | A Major | 1 | 11B | 175 BPM | ||
Clarinet Concerto in A Major, K. 622 - Version for Basset Clarinet: 2. Adagio - Live | Craig Hill, Australian Brandenburg Orchestra, Paul Dyer | A Major | 0 | 11B | 105 BPM | ||
Samson et Dalila, Op. 47: Act II: Prelude | Camille Saint-Saëns, Hélène Bouvier, Charles Cambon, José Luccioni, Henri Medus, Paul Cabanel, Paris National Opera Chorus, Paris National Opera Orchestra, Louis Fourestier | E♭ Major | 2 | 5B | 113 BPM | ||
Fantasia On Greensleeves | Ralph Vaughan Williams, Boston Pops Orchestra, John Williams | C Minor | 1 | 5A | 86 BPM |
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