- BPM
- 128
- Key
- C Minor
- Camelot
- 5A
Le Tombeau de Couperin, M. 68: III. Forlane - Maurice Ravel, Louis Lortie Information
- Acousticness
- 98%
- Danceability
- 34%
- Energy
- 19%
- Instrumentalness
- 90%
- Liveness
- 12%
- Loudness
- 65%
- Speechiness
- 3%
- Valence
- 7%
- Popularity
- 4%
- Loudness
- -21.208 dB
Summary
"Le Tombeau de Couperin, M. 68: III. Forlane" by Maurice Ravel, Louis Lortie was released on December 1, 1988. Le Tombeau de Couperin, M. 68: III. Forlane is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. There are a total of 18 in the song's album "Ravel: Piano Music, Vol. 1". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Le Tombeau de Couperin, M. 68: III. Forlane's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Le Tombeau de Couperin, M. 68: III. Forlane BPM
With Le Tombeau de Couperin, M. 68: III. Forlane by Maurice Ravel, Louis Lortie having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
Le Tombeau de Couperin, M. 68: III. Forlane Key
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | |
 | 6 Album Leaves, Op. 2, JB 1:51: No. 2 in A Minor, Chanson. Moderato | Bedřich Smetana, Jitka Čechová | A Minor | 0 | 8A | 66 BPM | |
 | Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | |
 | Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | |
 | Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): Im Tempo nachgeben | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | B Major | 1 | 1B | 152 BPM | |
 | Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": 2. Adagio un poco mosso | Ludwig van Beethoven, Alfred Brendel, Wiener Philharmoniker, Sir Simon Rattle | B Major | 0 | 1B | 85 BPM | |
 | L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | |
 | Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | |
 | 5 Pieces, Op. 75, "The Trees": No. 5 Granen (The Spruce) | Jean Sibelius, Håvard Gimse | D Major | 0 | 10B | 68 BPM | |
 | Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM |
- ISRC
- GBLWD8807604
- Label
- L-M Records/RCA Records
Section: 0.6055295467376709
End: 0.6094226837158203