"String Quartet No. 4 in C Major, Op. 17, Sz. 91: String Quartet No. 4 in C Major, Op. 17, Sz. 91: V. Allegro molto" by Béla Bartók, Jerusalem Quartet was released on October 7, 2016. String Quartet No. 4 in C Major, Op. 17, Sz. 91: String Quartet No. 4 in C Major, Op. 17, Sz. 91: V. Allegro molto is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. The song is number 8 out of 12 in Belá Bartók: String Quartets Nos. 2, 4, & 6 by Béla Bartók, Jerusalem Quartet. Based on our statistics, String Quartet No. 4 in C Major, Op. 17, Sz. 91: String Quartet No. 4 in C Major, Op. 17, Sz. 91: V. Allegro molto's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of String Quartet No. 4 in C Major, Op. 17, Sz. 91: String Quartet No. 4 in C Major, Op. 17, Sz. 91: V. Allegro molto by Béla Bartók, Jerusalem Quartet is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 2 "Intimate Letters": String Quartet No. 2 "Intimate Letters": IV. Allegro. Andante. Adagio | Leoš Janáček, Melos Quartet | A♭ Minor | 1 | 1A | 98 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): I. Allegro ben marcato | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | C Major | 1 | 8B | 99 BPM | ||
Clarinet Quintet Op.115: Clarinet Quintet Op. 115: III. Andantino | Johannes Brahms, Jerusalem Quartet, Sharon Kam | B♭ Major | 0 | 6B | 87 BPM | ||
Alexander Nevsky, Op. 78: I. Russia Under The Mongolian Yoke | Sergei Prokofiev, London Symphony Orchestra, Claudio Abbado | C Minor | 0 | 5A | 71 BPM | ||
Concerto for Violin & Orchestra, Op. 14: I. Allegro | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 2 | 9B | 92 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 1, Scherzo | Felix Mendelssohn, London Symphony Orchestra, Alexander Knox, John Eliot Gardiner | G Minor | 1 | 6A | 134 BPM | ||
Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | ||
Gayane Suite No. 3: II. Dance of the Comrades | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | D♭ Major | 4 | 3B | 106 BPM | ||
Mikrokosmos: 7 Pieces for 2 Pianos, 4 Hands, BB 120: No. 7. Ostinato: Vivacissimo (arr. of Vol. 6, No. 146) | Béla Bartók, Ditta Bartok-Pasztory, Maria Comensoli | D Major | 2 | 10B | 143 BPM | ||
Britten: Four Sea Interludes from Peter Grimes, Op. 33a: No. 2, Sunday Morning | Benjamin Britten, André Previn, London Symphony Orchestra | C Major | 2 | 8B | 114 BPM |
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