Préludes - Book 2, L.123: 9. Hommage à S. Pickwick, Esq., P.P.M.P.C.
Claude Debussy, Pierre-Laurent Aimard
Start 2022 with Debussy
2:38 January 8, 2022
BPM
118
Key
D Minor
Camelot
7A

Embed

Share Link

Préludes - Book 2, L.123: 9. Hommage à S. Pickwick, Esq., P.P.M.P.C. - Claude Debussy, Pierre-Laurent Aimard Information

Acousticness
99%
Danceability
42%
Energy
2%
Instrumentalness
90%
Liveness
9%
Loudness
55%
Speechiness
5%
Valence
16%
Popularity
Loudness
-27.06 dB

Summary

"Préludes - Book 2, L.123: 9. Hommage à S. Pickwick, Esq., P.P.M.P.C." by Claude Debussy, Pierre-Laurent Aimard was released on January 8, 2022. The duration of Préludes - Book 2, L.123: 9. Hommage à S. Pickwick, Esq., P.P.M.P.C. is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Préludes - Book 2, L.123: 9. Hommage à S. Pickwick, Esq., P.P.M.P.C.'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 71 in the song's album "Start 2022 with Debussy". In this album, this song's track order is #16. In terms of popularity, Préludes - Book 2, L.123: 9. Hommage à S. Pickwick, Esq., P.P.M.P.C. is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Préludes - Book 2, L.123: 9. Hommage à S. Pickwick, Esq., P.P.M.P.C. BPM

With Préludes - Book 2, L.123: 9. Hommage à S. Pickwick, Esq., P.P.M.P.C. by Claude Debussy, Pierre-Laurent Aimard having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.

Préludes - Book 2, L.123: 9. Hommage à S. Pickwick, Esq., P.P.M.P.C. Key

D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major by Antonín Dvořák, Stefan Veselka2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G MajorAntonín Dvořák, Stefan VeselkaG Major09B66 BPM
Nocturne No. 19 in E Minor, Op. 72, No. 1 by Frédéric Chopin, Benjamin GrosvenorNocturne No. 19 in E Minor, Op. 72, No. 1Frédéric Chopin, Benjamin GrosvenorE Minor09A66 BPM
Suite bergamasque, L. 75: III. Clair de lune by Claude Debussy, Alice Sara OttSuite bergamasque, L. 75: III. Clair de luneClaude Debussy, Alice Sara OttD♭ Major03B69 BPM
Piano Concerto No. 2 in F Major, Op. 102: II. Andante by Dmitri Shostakovich, I Musici de Montréal, Maxim ShostakovichPiano Concerto No. 2 in F Major, Op. 102: II. AndanteDmitri Shostakovich, I Musici de Montréal, Maxim ShostakovichC Minor05A177 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor by Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D MinorSeattle Symphony Orchestra, Johannes Brahms, Gerard SchwarzA Minor08A76 BPM
Deux arabesques: Deux arabesques: I. Andantino con moto by Claude Debussy, Alain PlanèsDeux arabesques: Deux arabesques: I. Andantino con motoClaude Debussy, Alain PlanèsF♯ Minor111A72 BPM
Preghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement) by Sergei Rachmaninoff, Gidon Kremer, Daniil TrifonovPreghiera (Arr. by Fritz Kreisler from Piano Concerto No. 2 in C Minor, Op. 18, 2nd Movement)Sergei Rachmaninoff, Gidon Kremer, Daniil TrifonovC Major18B104 BPM
Capriol Suite: 5. Pied-en- l'air by Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerCapriol Suite: 5. Pied-en- l'airPeter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerG Major19B113 BPM
24 Preludes and Fugues, Op. 87: Prelude No. 4 in E Minor: Andante by Dmitri Shostakovich, Konstantin Scherbakov24 Preludes and Fugues, Op. 87: Prelude No. 4 in E Minor: AndanteDmitri Shostakovich, Konstantin ScherbakovG Major09B100 BPM
Salut d'amour, Op. 12 by Edward Elgar, Sueye Park, Love DerwingerSalut d'amour, Op. 12Edward Elgar, Sueye Park, Love DerwingerE Major112B83 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.9405066967010498

End: 0.9459989070892334