"Schumann: Spanische Liebeslieder, Op. 138, Pt. 2: No. 8, La sierra es alta, "Hoch, hoch sind die Berge" (Nicht geschwind)" by Emanuel Geibel, Robert Schumann, Erik Werba was released on April 5, 2013. The duration of Schumann: Spanische Liebeslieder, Op. 138, Pt. 2: No. 8, La sierra es alta, "Hoch, hoch sind die Berge" (Nicht geschwind) is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Schumann: Spanische Liebeslieder, Op. 138, Pt. 2: No. 8, La sierra es alta, "Hoch, hoch sind die Berge" (Nicht geschwind)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 43 in the song's album "Schumann: Lieder". In this album, this song's track order is #18. Schumann: Spanische Liebeslieder, Op. 138, Pt. 2: No. 8, La sierra es alta, "Hoch, hoch sind die Berge" (Nicht geschwind) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Schumann: Spanische Liebeslieder, Op. 138, Pt. 2: No. 8, La sierra es alta, "Hoch, hoch sind die Berge" (Nicht geschwind) by Emanuel Geibel, Robert Schumann, Erik Werba having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
10 Pieces, Op. 58: No. 2. Scherzino | Jean Sibelius, Olli Mustonen | B♭ Minor | 0 | 3A | 132 BPM | ||
Voix intimes, Op. 45: No. 2, Espoir | Henri Vieuxtemps, Vilmos Csikos, Olivier Lechardeur | A♭ Major | 0 | 4B | 169 BPM | ||
Schubert: 3 Marches militaires, Op. 51, D. 733: No. 1 in D Major | Franz Schubert, Michel Dalberto, Alexandre Tharaud | A♭ Major | 1 | 4B | 109 BPM | ||
Sehnsucht | Halfdan Kjerulf, Emanuel Geibel, Marianne Hirsti, Audun Kayser | B Major | 1 | 1B | 89 BPM | ||
7 Preludes, Op. 6: Prelude No. 4 in B Major | Sergei Lyapunov, Marco Rapetti | B Major | 3 | 1B | 151 BPM | ||
Romance oubliée, S. 527 | Franz Liszt, Anna Leyerer | F♯ Major | 3 | 2B | 108 BPM | ||
Fünf Stücke pour piano à quatre mains: III. Három Lakodalmi tánc: No. 2, Hopp ide tisztán | György Ligeti, Dimitri Vassilakis, Sébastien Vichard | B Minor | 0 | 10A | 134 BPM | ||
Mignonne, WWV 57 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
Kapitel 3 - "Belsatzar" und zwei weitere Balladen | Heinrich Heine, Emanuel Geibel, Christian Rode | A♭ Major | 2 | 4B | 194 BPM | ||
Grandes études de Paganini, S. 141: III. La campanella. Allegretto (After Violin Concerto No. 2) | Franz Liszt, Marc-André Hamelin | D Minor | 2 | 7A | 65 BPM |
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