Emile Mercadier made "Je Suis Le Passeur Du Printemps" available on 1905. The duration of Je Suis Le Passeur Du Printemps is about two minutes long, specifically at 2:40. This song does not appear to have any foul language. Je Suis Le Passeur Du Printemps's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 25 in Anthologie De La Chanson Française - Chansons À Voix (1900-1920) by Various Artists. Based on our statistics, Je Suis Le Passeur Du Printemps's popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Je Suis Le Passeur Du Printemps by Emile Mercadier is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss II, J: La chauve-souris, Act 1: Terzetto. "Hélas, quelle est ma peine" (Caroline, Arlette, Gaillardin) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Liliane Berton, Pierre Fleta, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 2 | 10B | 127 BPM | ||
La forza del destino, Act III, Scene II: Solenne in quest'ora | Giuseppe Verdi, Andrea Bocelli, Simone Piazzola, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | C Major | 2 | 8B | 87 BPM | ||
Im weißen Rössl · Operette in 3 Akten (1988 - Remaster), Erster Akt: Dialog & Wir sind die Stubenmädchen - Das ist der Zauber der Saison (Chor) | Ralph Benatzky, Grit van Jüten/Peter Minich/Benno Hoffmann/Norbert Orth/Peter Kraus/Elke Schary/Hans Putz/Werner Singh/Chor des Bayerischen Rundfunks/Münchner Kinderchor/Münchner Rundfunkorchester/Willy Mattes/Anneliese Rothenberger, Willy Mattes, Muenchner Rundfunkorchester, Munich Radio Orchestra | E♭ Major | 3 | 5B | 130 BPM | ||
Trial by Jury: When First My Old, Old Love I Knew | Gilbert & Sullivan Society of Houston | D Major | 2 | 10B | 77 BPM | ||
La Boheme, zweiter Akt: Aranci, Datteri | Coro del Teatro Municipale di Reggio Emilia, Orchestra del Teatro Municipale di Reggio Emilia, Francesco Molinari-Pradelli | F♯ Minor | 5 | 11A | 62 BPM | ||
La Gioconda, Act II, Scene 4: Cielo e mar! | Amilcare Ponchielli, Vittorio Grigolo, Pier Giorgio Morandi, Czech National Symphony Orchestra | F Major | 1 | 7B | 170 BPM | ||
Les Contes d'Hoffmann: Barcarolle - Remasterizado 2003 | Tania Libertad | F Major | 4 | 7B | 82 BPM | ||
Golondrina de Madrid: "Sopló Furioso el Viento de Mi Destino" | Luis Fernández de Sevilla, Jose Serrano, Orquesta del Teatro Calderón | B♭ Major | 3 | 6B | 103 BPM | ||
Dein ist Mein Ganzes Herz | Richard Tauber | D♭ Major | 4 | 3B | 134 BPM | ||
Gandz | Olia Petrusenko | E♭ Major | 4 | 5B | 135 BPM |
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