- BPM
- 83
- Key
- B♭ Major
- Camelot
- 6B
A Mass of Life: Part I: Nacht ist es (Chorus, Baritone) - Frederick Delius, Janice Watson, Catherine Wyn-Rogers, Andrew Kennedy, Alan Opie, The Bach Choir, Bournemouth Symphony Orchestra, David Hill Information
- Acousticness
- 97%
- Danceability
- 15%
- Energy
- 15%
- Instrumentalness
- 38%
- Liveness
- 9%
- Loudness
- 62%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 3%
- Loudness
- -22.858 dB
Summary
"A Mass of Life: Part I: Nacht ist es (Chorus, Baritone)" by Frederick Delius, Janice Watson, Catherine Wyn-Rogers, Andrew Kennedy, Alan Opie, The Bach Choir, Bournemouth Symphony Orchestra, David Hill was released on June 5, 2012. Since A Mass of Life: Part I: Nacht ist es (Chorus, Baritone) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 5 out of 14 in Delius: A Mass of Life by Frederick Delius, David Hill. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. A Mass of Life: Part I: Nacht ist es (Chorus, Baritone) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
A Mass of Life: Part I: Nacht ist es (Chorus, Baritone) BPM
The tempo marking of A Mass of Life: Part I: Nacht ist es (Chorus, Baritone) by Frederick Delius, Janice Watson, Catherine Wyn-Rogers, Andrew Kennedy, Alan Opie, The Bach Choir, Bournemouth Symphony Orchestra, David Hill is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
A Mass of Life: Part I: Nacht ist es (Chorus, Baritone) Key
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Violin Concerto: III. | Frederick Delius, Guy Braunstein, Orchestre Philharmonique Royal de Liège, Alondra de la Parra | C Major | 2 | 8B | 85 BPM | |
 | Kinderszenen, Op. 15: Träumerei (Arr. Lewin for Guitar) | Robert Schumann, Miloš Karadaglić | D Major | 0 | 10B | 81 BPM | |
 | Lyric Pieces Book VII, Op. 62: No. 4 Brooklet | Edvard Grieg, Emil Gilels | B Minor | 1 | 10A | 0 BPM | |
 | Méditation de Thaïs | Jules Massenet, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 72 BPM | |
 | Carmen Suite No. 1: Intermezzo | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 80 BPM | |
 | Suite in B-Flat Major, HWV 434: IV. Menuet | George Frideric Handel, Khatia Buniatishvili | G Minor | 0 | 6A | 59 BPM | |
 | Suite No. 3, Op. 19, No. 1 (version for 2 violins and string orchestra): I. Prelude: Adagio | Kurt Atterberg, Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | D♭ Minor | 2 | 12A | 94 BPM | |
 | Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | |
 | Le tombeau de Couperin (version for orchestra): No. 1. Prelude | Maurice Ravel, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 80 BPM | |
 | None but the lonely heart, Op. 6, No. 6 | Pyotr Ilyich Tchaikovsky, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | E♭ Minor | 2 | 2A | 82 BPM |
- ISRC
- HKI191157605
- Label
- L-M Records/RCA Records
Section: 0.8036212921142578
End: 0.8090415000915527