National Philharmonic Orchestra's 'La Negra' came out on September 2, 2001. The duration of La Negra is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. La Negra's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in National Philarmonic Orchestra's "México Lindo, Vol.1" album is number 15 out of 15. The popularity of La Negra is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Negra by National Philharmonic Orchestra to be Presto (very, very fast) because the track has a tempo of 186 BPM, a half-time of 93BPM, and a double-time of 372 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Borodin: Prince Igor, Act II: Polovtsian Dances (Excerpt) | Alexander Borodin, Beecham Choral Society, Royal Philharmonic Orchestra, Sir Thomas Beecham | A Major | 1 | 11B | 79 BPM | ||
Vesperae solennes de confessore in C Major, K. 339, "Solemn Vespers": IV. Laudate Dominum | Wolfgang Amadeus Mozart, Priti Coles, Kosice Teachers' Choir, Camerata Cassovia, Johannes Wildner | F Major | 1 | 7B | 112 BPM | ||
Carmina Burana / 1. Primo vere: "Ecce gratum" | Carl Orff, Brighton Festival Chorus, Royal Philharmonic Orchestra, Antal Doráti | F Major | 1 | 7B | 138 BPM | ||
Hungarian Dance No. 1 in G Minor: Allegro molto | Johannes Brahms, London Festival Orchestra, Alfred Scholz | G Minor | 1 | 6A | 91 BPM | ||
Wiegenlied, Op. 49, No. 4 | Johannes Brahms, Renée Fleming, Hartmut Höll | E♭ Major | 0 | 5B | 92 BPM | ||
String Quintet E, Op.13, No.5: 3. Menuetto | Luigi Boccherini, I Musici | A Major | 0 | 11B | 83 BPM | ||
Concertino In A Minor: Romanza | Royal Philharmonic Orchestra | A Major | 0 | 11B | 107 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
Fauré: Requiem, Op. 48 : IV. Pie Jesu (Soprano) | Gabriel Fauré, Dietrich Fischer-Dieskau, Victoria de los Ángeles, Choeurs Elisabeth Brasseurs, Henriette Puig-Roget, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 0 | 12B | 87 BPM | ||
M. Glinka: Overture To Opera "Ruslan and Lyudmila" | Chicago Symphony Orchestra, L. Smit | A Major | 1 | 11B | 82 BPM |
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