Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Wiener Philharmoniker's 'Don Giovanni, K.527, Act II, Scena seconda: Ferma, perfido (Donna Elvira/Masetto/Zerlina/Don Ottavio)' came out on October 31, 1988. With Don Giovanni, K.527, Act II, Scena seconda: Ferma, perfido (Donna Elvira/Masetto/Zerlina/Don Ottavio) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 1 out of 214. On top of that, United Kingdom appears to be the country where this track was created. Don Giovanni, K.527, Act II, Scena seconda: Ferma, perfido (Donna Elvira/Masetto/Zerlina/Don Ottavio) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Don Giovanni, K.527, Act II, Scena seconda: Ferma, perfido (Donna Elvira/Masetto/Zerlina/Don Ottavio) by Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Wiener Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata / Act 2: "Invitato a qui seguirmi" | Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Helene Schneiderman, Herman Wallen, Luigi Roni, Paul Gay, Carlo Rizzi, Wiener Philharmoniker, Vienna State Opera Chorus, Rupert Huber | A♭ Major | 2 | 4B | 92 BPM | ||
La Cenerentola / Act 1: "Conciossiacosacché" - "Intendente? Direttor?" | Gioachino Rossini, Enzo Dara, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A Major | 2 | 11B | 139 BPM | ||
Madama Butterfly / Act 2: Si sa che aprir la parta | Giacomo Puccini, Mirella Freni, Robert Kerns, Wiener Philharmoniker, Herbert von Karajan | F Minor | 0 | 4A | 87 BPM | ||
Lucia di Lammermoor / Act 2: "Al ben de'tuoi qual vittima" | Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | A Major | 1 | 11B | 109 BPM | ||
La Cenerentola / Act 1: "Tutto è deserto" | Gioachino Rossini, William Matteuzzi, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | A♭ Major | 2 | 4B | 141 BPM | ||
Nabucco / Act 3: Eccelsa Donna | Giuseppe Verdi, Kurt Rydl, Ghena Dimitrova, Piero Cappuccilli, Volker Horn, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | B♭ Minor | 1 | 3A | 104 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 3: Aria - Venite, Inginocchiatevi | Donato Di Stefano, Ingrid Kertesi, Roberto Frontali, Jozsef Mukk, Natale de Carolis, Maria Pia Ionata, Patrizia Pace, Hungarian State Opera Orchestra, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | G Major | 0 | 9B | 65 BPM | ||
Die Zauberflöte, K.620 / Act 2: "O Isis und Osiris" | Wolfgang Amadeus Mozart, Kurt Böhme, Vienna State Opera Chorus, Wiener Philharmoniker, Karl Böhm | F Major | 1 | 7B | 132 BPM | ||
Verdi: Aida, Act 4: "No, vive Aida!....Vive!" (Amneris, Radamès) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | C Major | 3 | 8B | 118 BPM | ||
Rigoletto / Act 3: M'odi, ritorna a casa | Giuseppe Verdi, Ileana Cotrubas, Piero Cappuccilli, Wiener Philharmoniker, Carlo Maria Giulini | D Major | 0 | 10B | 180 BPM |
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