Don Giovanni, K.527, Act II, Scena seconda: Ferma, perfido (Donna Elvira/Masetto/Zerlina/Don Ottavio)
Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Wiener Philharmoniker
Mozart: The Da Ponte Operas
0:56 October 31, 1988
BPM
80
Key
D Major
Camelot
10B

Embed

Share Link

Don Giovanni, K.527, Act II, Scena seconda: Ferma, perfido (Donna Elvira/Masetto/Zerlina/Don Ottavio) - Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Wiener Philharmoniker Information

Acousticness
93%
Danceability
54%
Energy
5%
Instrumentalness
0%
Liveness
26%
Loudness
49%
Speechiness
18%
Valence
30%
Popularity
Loudness
-30.584 dB

Summary

Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Wiener Philharmoniker's 'Don Giovanni, K.527, Act II, Scena seconda: Ferma, perfido (Donna Elvira/Masetto/Zerlina/Don Ottavio)' came out on October 31, 1988. With Don Giovanni, K.527, Act II, Scena seconda: Ferma, perfido (Donna Elvira/Masetto/Zerlina/Don Ottavio) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Riccardo Muti's "Mozart: The Da Ponte Operas" album is number 1 out of 214. On top of that, United Kingdom appears to be the country where this track was created. Don Giovanni, K.527, Act II, Scena seconda: Ferma, perfido (Donna Elvira/Masetto/Zerlina/Don Ottavio) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Don Giovanni, K.527, Act II, Scena seconda: Ferma, perfido (Donna Elvira/Masetto/Zerlina/Don Ottavio) BPM

We consider the tempo marking of Don Giovanni, K.527, Act II, Scena seconda: Ferma, perfido (Donna Elvira/Masetto/Zerlina/Don Ottavio) by Wolfgang Amadeus Mozart, Carol Vaness, Riccardo Muti, Wiener Philharmoniker to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Don Giovanni, K.527, Act II, Scena seconda: Ferma, perfido (Donna Elvira/Masetto/Zerlina/Don Ottavio) Key

The music key of this track is D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
La traviata / Act 2: La traviata / Act 2: "Invitato a qui seguirmi"Giuseppe Verdi, Anna Netrebko, Rolando Villazón, Helene Schneiderman, Herman Wallen, Luigi Roni, Paul Gay, Carlo Rizzi, Wiener Philharmoniker, Vienna State Opera Chorus, Rupert HuberA♭ Major24B92 BPM
La Cenerentola / Act 1: La Cenerentola / Act 1: "Conciossiacosacché" - "Intendente? Direttor?"Gioachino Rossini, Enzo Dara, Coro del Teatro Comunale di Bologna, Orchestra del Teatro Comunale di Bologna, Riccardo ChaillyA Major211B139 BPM
Madama Butterfly / Act 2: Si sa che aprir la parta by Giacomo Puccini, Mirella Freni, Robert Kerns, Wiener Philharmoniker, Herbert von KarajanMadama Butterfly / Act 2: Si sa che aprir la partaGiacomo Puccini, Mirella Freni, Robert Kerns, Wiener Philharmoniker, Herbert von KarajanF Minor04A87 BPM
Lucia di Lammermoor / Act 2: Lucia di Lammermoor / Act 2: "Al ben de'tuoi qual vittima"Gaetano Donizetti, Dame Joan Sutherland, Nicolai Ghiaurov, Orchestra of the Royal Opera House, Covent Garden, Richard BonyngeA Major111B109 BPM
La Cenerentola / Act 1: La Cenerentola / Act 1: "Tutto è deserto"Gioachino Rossini, William Matteuzzi, Orchestra del Teatro Comunale di Bologna, Riccardo ChaillyA♭ Major24B141 BPM
Nabucco / Act 3: Eccelsa Donna by Giuseppe Verdi, Kurt Rydl, Ghena Dimitrova, Piero Cappuccilli, Volker Horn, Orchester der Deutschen Oper Berlin, Giuseppe SinopoliNabucco / Act 3: Eccelsa DonnaGiuseppe Verdi, Kurt Rydl, Ghena Dimitrova, Piero Cappuccilli, Volker Horn, Orchester der Deutschen Oper Berlin, Giuseppe SinopoliB♭ Minor13A104 BPM
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 3: Aria - Venite, Inginocchiatevi by Donato Di Stefano, Ingrid Kertesi, Roberto Frontali, Jozsef Mukk, Natale de Carolis, Maria Pia Ionata, Patrizia Pace, Hungarian State Opera Orchestra, Lorenzo Da Ponte, Wolfgang Amadeus MozartLe Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 3: Aria - Venite, InginocchiateviDonato Di Stefano, Ingrid Kertesi, Roberto Frontali, Jozsef Mukk, Natale de Carolis, Maria Pia Ionata, Patrizia Pace, Hungarian State Opera Orchestra, Lorenzo Da Ponte, Wolfgang Amadeus MozartG Major09B65 BPM
Die Zauberflöte, K.620 / Act 2: Die Zauberflöte, K.620 / Act 2: "O Isis und Osiris"Wolfgang Amadeus Mozart, Kurt Böhme, Vienna State Opera Chorus, Wiener Philharmoniker, Karl BöhmF Major17B132 BPM
Verdi: Aida, Act 4: Verdi: Aida, Act 4: "No, vive Aida!....Vive!" (Amneris, Radamès)Giuseppe Verdi, Riccardo Muti, New Philharmonia OrchestraC Major38B118 BPM
Rigoletto / Act 3: M'odi, ritorna a casa by Giuseppe Verdi, Ileana Cotrubas, Piero Cappuccilli, Wiener Philharmoniker, Carlo Maria GiuliniRigoletto / Act 3: M'odi, ritorna a casaGiuseppe Verdi, Ileana Cotrubas, Piero Cappuccilli, Wiener Philharmoniker, Carlo Maria GiuliniD Major010B180 BPM
ISRC
GBAYC9004424
Label
L-M Records/RCA Records

Section: 0.7746901512145996

End: 0.7782509326934814