Joseph-Nicolas, Joseph-Nicolas-Pancrace Royer, Iakovos Pappas made "Suite No.2: No. 1, L'allemande" available on January 1, 1992. With this song being about 5 minutes long, at 4:42, "Suite No.2: No. 1, L'allemande" by Joseph-Nicolas, Joseph-Nicolas-Pancrace Royer, Iakovos Pappas is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Royer: Pièces de Clavecin". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Italy. Based on our statistics, Suite No.2: No. 1, L'allemande's popularity is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Suite No.2: No. 1, L'allemande by Joseph-Nicolas, Joseph-Nicolas-Pancrace Royer, Iakovos Pappas having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in d minor - Allemande la Loureuse | Hanneke van Proosdij | C Major | 1 | 8B | 105 BPM | ||
Partita No. 4 in D Major, BWV 828: III. Courante | Johann Sebastian Bach, Martin Helmchen | D♭ Major | 3 | 3B | 145 BPM | ||
Concerto pour 2 violons, cordes et basse continue in G Minor, RV 517: III. Allegro | Antonio Vivaldi, Gwennaëlle Alibert, Clément Geoffroy | F♯ Minor | 5 | 11A | 150 BPM | ||
Deuxième Livre de pièces de clavecin, sixième Ordre: Les Barricades mystérieuses | François Couperin, Christophe Rousset | A♭ Major | 2 | 4B | 80 BPM | ||
Trio Sonata in D Major, BuxWV 260: II. Allegro | Dietrich Buxtehude, Ensemble Mélero | A Major | 3 | 11B | 103 BPM | ||
Sonata No. 2 in C Minor, FXV, RV 53: II. Allegro | Antonio Vivaldi, Ensemble J. M. Anciuti | B Minor | 2 | 10A | 146 BPM | ||
Keyboard Sonata No. 24 in D Minor: Allegro | Carlos Seixas, Débora Halász | C Minor | 4 | 5A | 78 BPM | ||
3e Livre de Sonates à violon seul avec la basse continue, Sonata Quarta: IV. Aria | Jean-Baptiste Quentin, Anna Besson, Myriam Rignol, Jean Rondeau | A♭ Major | 1 | 4B | 105 BPM | ||
Hamburg Symphony No. 3 in C Major, Wq. 182: II. Adagio | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Suite in C Minor: III. Borre | Nicola Matteis, Le Consort | B Major | 0 | 1B | 84 BPM |
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