- BPM
- 59
- Key
- C Major
- Camelot
- 8B
Harold in Italy, Op. 16: III. Serenade (Allegro assai - Allegretto) - Hector Berlioz, Sir Colin Davis, Philharmonia Orchestra Information
- Acousticness
- 97%
- Danceability
- 25%
- Energy
- 4%
- Instrumentalness
- 82%
- Liveness
- 9%
- Loudness
- 48%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 0%
- Loudness
- -31.408 dB
Summary
"Harold in Italy, Op. 16: III. Serenade (Allegro assai - Allegretto)" by Hector Berlioz, Sir Colin Davis, Philharmonia Orchestra was released on June 5, 2021. Since Harold in Italy, Op. 16: III. Serenade (Allegro assai - Allegretto) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 19 out of 30 in French Romantic Composers by Various Artists. Harold in Italy, Op. 16: III. Serenade (Allegro assai - Allegretto) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Harold in Italy, Op. 16: III. Serenade (Allegro assai - Allegretto) BPM
The tempo marking of Harold in Italy, Op. 16: III. Serenade (Allegro assai - Allegretto) by Hector Berlioz, Sir Colin Davis, Philharmonia Orchestra is Lento (slowly), since this song has a tempo of 59 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Harold in Italy, Op. 16: III. Serenade (Allegro assai - Allegretto) Key
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Les Troyens, Op. 29, H 133, Act IV: No. 36b. "Tout n'est que paix et charme" | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Ben Heppner, Leigh Melrose, Michelle DeYoung | F Major | 0 | 7B | 82 BPM | |
 | Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | |
 | Capriccio espagnol, Op. 34: II. Variations | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | F Major | 0 | 7B | 92 BPM | |
 | Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse | Hector Berlioz, Leonard Bernstein, New York Philharmonic | A Major | 3 | 11B | 89 BPM | |
 | Symphony No. 1 in D, Op. 25 "Classical Symphony": 4. Finale (Vivace) | Sergei Prokofiev, London Symphony Orchestra, Valery Gergiev | D Major | 1 | 10B | 100 BPM | |
 | Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 1. At The Castle Gate | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 92 BPM | |
 | Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | A Major | 0 | 11B | 75 BPM | |
 | Matinées musicales, Op. 24: 2. Nocturne | Benjamin Britten, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 0 | 4B | 77 BPM | |
 | The Bartered Bride, Act I Scene V: Introduction. Polka | Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, The Royal Opera Chorus | C Major | 3 | 8B | 103 BPM | |
 | Kassya: Trepak | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | D Minor | 1 | 7A | 127 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7612936496734619
End: 0.7679860591888428