Hans J. Salter, Frank Skinner, John Morgan, Slovak Radio Symphony Orchestra, William Stromberg's 'Son of Dracula: Main Title (orch. J. Morgan): Main Title' came out on June 15, 2000. With Son of Dracula: Main Title (orch. J. Morgan): Main Title being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 34 in the song's album "Salter / Skinner: Sherlock Homes and the Voice of Terror". In this album, this song's track order is #23. Furthermore, we believe that the track originated from Hong Kong. Son of Dracula: Main Title (orch. J. Morgan): Main Title is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Son of Dracula: Main Title (orch. J. Morgan): Main Title by Hans J. Salter, Frank Skinner, John Morgan, Slovak Radio Symphony Orchestra, William Stromberg having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Metropolis: I. Auftakt: Maschinenhalle - Moloch | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | C Minor | 4 | 5A | 75 BPM | ||
Time To Skies | Kevin Shaung | F♯ Major | 3 | 2B | 78 BPM | ||
Hi Ho Silver | Richard Bellis | C Major | 1 | 8B | 64 BPM | ||
Caution Will Bite | Brian Tyler | B Minor | 3 | 10A | 130 BPM | ||
Alex Dreams | Craig Safan | B♭ Major | 0 | 6B | 105 BPM | ||
The Comet Cometh (The Derelict) | Richard LaSalle, Hans J. Salter, Herman Stein | A♭ Major | 0 | 4B | 86 BPM | ||
This House Haunts Me | Mark Mancina | G Minor | 0 | 6A | 83 BPM | ||
Missing Love Time | Luciano Lombardi | E♭ Major | 1 | 5B | 110 BPM | ||
Si Yeou Ki, Pt. 1: II. La délivrance de Souen Wou K'ong | Laurent Petitgirard, Hungarian Symphony Orchestra Budapest | E Minor | 0 | 9A | 103 BPM | ||
The Invisible Man Returns: Together (Orch. J. Morgan) | Frank Skinner, Hans J. Salter, Moscow Philharmonic Orchestra, William Stromberg | C Major | 0 | 8B | 63 BPM |
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