"Ezekiel Saw de Wheel (Arr. W. Dawson for Choir)" by Traditional, Texas Boys Choir, S. Bryan Priddy was released on May 10, 2017. The duration of Ezekiel Saw de Wheel (Arr. W. Dawson for Choir) is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Ezekiel Saw de Wheel (Arr. W. Dawson for Choir)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "The 70th Year". In this album, this song's track order is #25. Furthermore, we believe that the track originated from United States. In terms of popularity, Ezekiel Saw de Wheel (Arr. W. Dawson for Choir) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ezekiel Saw de Wheel (Arr. W. Dawson for Choir) by Traditional, Texas Boys Choir, S. Bryan Priddy having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tant que vivrai | Claudin de Sermisy, Scholars of London | F Major | 1 | 7B | 72 BPM | ||
Veni Creator | Thomas Aquinas. et al., Kitty Cleveland | A♭ Major | 2 | 4B | 76 BPM | ||
Sisask : Gloria Patri... 24 Hymns for Mixed Choir : XVII Dominus vobiscum | Urmas Sisask, The Chamber Choir Eesti Projekt, Anne-Liis Treimann | D Major | 0 | 10B | 109 BPM | ||
Miss De Angelis: V. Agnus Dei | Gregorian Chants, Karel Frana, Boni Puncti | F Major | 1 | 7B | 126 BPM | ||
The English Dance Master, Vol. 1: The Beggar Boy | John Playford, Baltimore Consort | F Major | 0 | 7B | 78 BPM | ||
Love Is Come Again | The Monteverdi Choir, John Eliot Gardiner | F Major | 2 | 7B | 78 BPM | ||
Hole in the Wall (From Abdelazer) | Henry Purcell, Bjarte Eike, Barokksolistene | B♭ Major | 3 | 6B | 110 BPM | ||
April is in my mistress' face | Thomas Morley, Trinity Baroque, Julian Podger | F Major | 2 | 7B | 134 BPM | ||
The lily and the rose (version for mixed chorus and piano) | Bob Chilcott, Wellensian Consort, Gemma Beeson, Christopher Finch | A Minor | 1 | 8A | 77 BPM | ||
Cherubic Hymn No. 7 | Dmitry Bortniansky, Glinka State Choir of St.Petersburg, Vladislav Chernoushenko | D Major | 0 | 10B | 82 BPM |
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