Sehzade Mehmed Burhaneddin Efendi, Henschel Quartett, Vedat Koşal made "Marsi-i Ali - Arr. for Piano and String Quartet" available on 2000. The duration of Marsi-i Ali - Arr. for Piano and String Quartet is about two minutes long, specifically at 2:19. This song does not appear to have any foul language. Marsi-i Ali - Arr. for Piano and String Quartet's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "Ottoman Court Music (Arr. for Piano and String Quartet)". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Austria. Marsi-i Ali - Arr. for Piano and String Quartet is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Marsi-i Ali - Arr. for Piano and String Quartet by Sehzade Mehmed Burhaneddin Efendi, Henschel Quartett, Vedat Koşal having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite in the Old Style: II. Ballet | Alfred Schnittke, Daniel Hope, Alexey Botvinov | D Major | 3 | 10B | 117 BPM | ||
Sonata for Violin and Piano in A Major: Recitativo - Fantasia (Ben moderato - Molto lento) | César Franck, Ray Chen | F♯ Minor | 0 | 11A | 81 BPM | ||
Violin Sonata No. 4 in D Major, HWV 371, Op. 1: II. Allegro | Anthony Bracewell, Jun Cho | D Major | 1 | 10B | 123 BPM | ||
Four Scenes of Childhood: I. Good Morning | Franz Waxman, Patrick Savage, Martin Cousin | A Minor | 1 | 8A | 90 BPM | ||
Brahms: Violin Concerto in D Major, Op. 77: II. Adagio | Johannes Brahms, Augustin Hadelich, Miguel Harth-Bedoya, The Norwegian Radio Orchestra | C Major | 1 | 8B | 79 BPM | ||
Sonata for Violin and Piano No. 1 in F Minor, Op. 80: II. Allegro brusco | Sergei Prokofiev, Gidon Kremer, Martha Argerich | F♯ Major | 0 | 2B | 71 BPM | ||
Five Melodies, Op. 35b: II. Lento, ma non Troppo | Sergei Prokofiev, Stefan Hempel, Daniel Seroussi | D Major | 1 | 10B | 67 BPM | ||
Cello Sonata No. 1 in E Minor, Op. 38: III. Allegro - Più presto | Johannes Brahms, Mstislav Rostropovich, Rudolf Serkin | A♭ Major | 2 | 4B | 83 BPM | ||
String Quartet No. 2 in A Minor, Op. 35: II. Variation 5: Andante | Anton Arensky, Ying Quartet | E Minor | 1 | 9A | 132 BPM | ||
Lyric Pieces, Op. 12: No. 1, Arietta (arr. V. Godar) | Vladimír Godár, Edvard Grieg, Takako Nishizaki, Jenő Jandó | E♭ Major | 2 | 5B | 98 BPM |
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