Yuri Sazonoff & Jerry Caringi made "Rigoletto: "La Donna E Mobile"" available on January 1, 2013. The duration of Rigoletto: "La Donna E Mobile" is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Rigoletto: "La Donna E Mobile"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Tuscany: An Italian Journey". In this album, this song's track order is #4. Based on our statistics, Rigoletto: "La Donna E Mobile"'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Rigoletto: "La Donna E Mobile" by Yuri Sazonoff & Jerry Caringi having a BPM of 154 with a half-time of 77 BPM and a double-time of 308 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 3/4.
The music key of this track is B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Huapango (1941) | José Pablo Moncayo, Henryk Szeryng, Alfonso Moreno, Enrique Bátiz | G Major | 5 | 9B | 101 BPM | ||
Ondas del Danubio | Orquesta Concierto de Viena | A Minor | 2 | 8A | 176 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Don Quixote: Act I: Quiteria (Kitri) enters | Ludwig Minkus, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 179 BPM | ||
The Phantom Of The Opera | Richard Clayderman | E♭ Major | 3 | 5B | 145 BPM | ||
Act Iii: "Entr'acte" | Roberto Occhipinti | E♭ Major | 2 | 5B | 133 BPM | ||
Suite for Orchestra No.3 in D Major BWV 1068 | Hamburg Symphony Orchestra | D Major | 3 | 10B | 94 BPM | ||
Coppélia / Tableau 1: Prélude - Mazurka | Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 5 | 10B | 149 BPM | ||
Die lustige Witwe (The Merry Widow) (arr. R. Hayman): The Merry Widow Waltz | Franz Lehár, Richard Hayman, Richard Hayman Symphony Orchestra | G Major | 3 | 9B | 97 BPM | ||
Por Una Cabeza By Carlos Gardel (1890-1935) Violin and Piano (feat. Violinfoundation & Soo G Lee) | Frank Kim | C Major | 2 | 8B | 65 BPM |
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