"Te Deum, S. 32: VI. Tu Rex gloriae, Christe" by Michel Richard Delalande, Véronique Gens, François Piolino, Les Arts Florissants, William Christie was released on March 18, 1991. With Te Deum, S. 32: VI. Tu Rex gloriae, Christe being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 6 out of 32 in De Lalande: Grands Motets by Michel Richard Delalande, Les Arts Florissants, William Christie. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Te Deum, S. 32: VI. Tu Rex gloriae, Christe is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Te Deum, S. 32: VI. Tu Rex gloriae, Christe by Michel Richard Delalande, Véronique Gens, François Piolino, Les Arts Florissants, William Christie is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Deitatis Majestatem: VIII. O bonitatis prodigium | Michel Richard Delalande, Le Poème Harmonique, Ensemble Aedes, Vincent Dumestre, Emmanuelle De Negri, Sean Clayton, Cyril Auvity, André Morsch | C Minor | 1 | 5A | 80 BPM | ||
Les fêtes d'Hébé, RCT 41, Act I Scene 3: En vain contre Thélème | Jean-Philippe Rameau, Chantal Santon Jeffery, Orfeo Orchestra, Gyorgy Vashegyi | E♭ Major | 0 | 5B | 99 BPM | ||
Fuga a 5 voci sopra la canzone di Cecilia | Leonardo García-Alarcón, Cappella Mediterranea, Ana Vieira Leite, Mariana Flores, Léo Fernique, Valerio Contaldo, Matteo Bellotto | B♭ Minor | 0 | 3A | 110 BPM | ||
Concerto for 3 Trumpets and Timpani in D Major, TWV 54:D3: I. Intrada - Grave | Georg Philipp Telemann, The English Concert, Trevor Pinnock | B♭ Major | 0 | 6B | 63 BPM | ||
Te Deum: IX. Per singulos dies | Giovanni Bononcini, Owen Rees, The Choir of The Queen's College Oxford, Academy of Ancient Music | B Minor | 2 | 10A | 71 BPM | ||
Les Eléments: X. Caprice | Jean-Féry Rebel, Akademie für Alte Musik Berlin, Georg Kallweit, Midori Seiler | D♭ Major | 3 | 3B | 76 BPM | ||
Céphale et Procris, Prologue: Loure | Élisabeth Jacquet de La Guerre, Reinoud Van Mechelen, A Nocte Temporis | F Minor | 1 | 4A | 75 BPM | ||
Caccini: Così, perfida Alcina | Francesca Caccini, Christina Pluhar, L'Arpeggiata, Luciana Mancini | F Major | 2 | 7B | 88 BPM | ||
Concerto IX in A Major: I. Grave | António Pereira da Costa, Ensemble Bonne Corde, Diana Vinagre | C Major | 4 | 8B | 134 BPM | ||
Biber: Requiem a 15 in A Major: I. Introitus | Heinrich Ignaz Franz von Biber, Ton Koopman, Amsterdam Baroque Choir, Amsterdam Baroque Orchestra | B♭ Major | 1 | 6B | 138 BPM |
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