Pyotr Ilyich Tchaikovsky, Minnesota Orchestra, Antal Doráti's 'Swan Lake, Op. 20, TH 12, Act II: No. 13a, Danse des cygnes: Valse' came out on 1954. The duration of Swan Lake, Op. 20, TH 12, Act II: No. 13a, Danse des cygnes: Valse is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Swan Lake, Op. 20, TH 12, Act II: No. 13a, Danse des cygnes: Valse's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 51 in the song's album "Tchaikovsky: Swan Lake (The Mercury Masters: The Mono Recordings)". In this album, this song's track order is #22. Furthermore, we believe that the track originated from Netherlands. Swan Lake, Op. 20, TH 12, Act II: No. 13a, Danse des cygnes: Valse is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Swan Lake, Op. 20, TH 12, Act II: No. 13a, Danse des cygnes: Valse by Pyotr Ilyich Tchaikovsky, Minnesota Orchestra, Antal Doráti having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
16 Waltzes, Op. 39: No. 15 In A Flat Major | Johannes Brahms, Idil Biret | A♭ Major | 0 | 4B | 68 BPM | ||
Schwanengesang, D. 957: Ständchen "Leise flehen meine Lieder" | Franz Schubert, Mischa Maisky, Daria Hovora | D Minor | 0 | 7A | 179 BPM | ||
Sicilienne, Op. 78 | Gabriel Fauré, Harriet Krijgh, Kamilla Isanbaeva | E♭ Major | 1 | 5B | 123 BPM | ||
Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | ||
L'Arlésienne Suite No. 2: Menuet | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | E♭ Major | 0 | 5B | 128 BPM | ||
Serenade | Franz Schubert, Eugene Ormandy, Philadelphia Orchestra | C Major | 0 | 8B | 91 BPM | ||
Capriccio brillant, Op. 22: Andante | Felix Mendelssohn, Matthias Kirschnereit, Michael Sanderling, Frankfurt Radio Symphony Orchestra | B Major | 0 | 1B | 91 BPM | ||
Prelude In A Minor Op. 32 No. 8 | Vladimir Horowitz | F Major | 1 | 7B | 59 BPM | ||
3 Nouvelles etudes, Op. posth.: II. Etude No. 26 in A-Flat Major | Frédéric Chopin, Idil Biret | A♭ Major | 0 | 4B | 74 BPM | ||
Le roi s'amuse: Pavane | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | B♭ Major | 0 | 6B | 91 BPM |
Section: 0.9300334453582764
End: 0.933821439743042