Hommage á T.S. Eliot (1987) - For Octet And Soprano: 7. "Sin is Behovely, but"
Sofia Gubaidulina, Christine Whittlesey, Eduard Brunner, Klaus Thunemann, Radovan Vlatkovic, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, David Geringas, Alois Posch
Clara Schumann & Great Female Composers
8:05 May 18, 2021
BPM
86
Key
A Major
Camelot
11B

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Hommage á T.S. Eliot (1987) - For Octet And Soprano: 7. "Sin is Behovely, but" - Sofia Gubaidulina, Christine Whittlesey, Eduard Brunner, Klaus Thunemann, Radovan Vlatkovic, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, David Geringas, Alois Posch Information

Acousticness
87%
Danceability
22%
Energy
7%
Instrumentalness
22%
Liveness
12%
Loudness
60%
Speechiness
4%
Valence
4%
Popularity
Loudness
-23.818 dB

Summary

"Hommage á T.S. Eliot (1987) - For Octet And Soprano: 7. "Sin is Behovely, but"" by Sofia Gubaidulina, Christine Whittlesey, Eduard Brunner, Klaus Thunemann, Radovan Vlatkovic, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, David Geringas, Alois Posch was released on May 18, 2021. Since Hommage á T.S. Eliot (1987) - For Octet And Soprano: 7. "Sin is Behovely, but" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 49 out of 85 in Clara Schumann & Great Female Composers by Clara Schumann, Cécile Chaminade, Grażyna Bacewicz. Hommage á T.S. Eliot (1987) - For Octet And Soprano: 7. "Sin is Behovely, but" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Hommage á T.S. Eliot (1987) - For Octet And Soprano: 7. "Sin is Behovely, but" BPM

The tempo marking of Hommage á T.S. Eliot (1987) - For Octet And Soprano: 7. "Sin is Behovely, but" by Sofia Gubaidulina, Christine Whittlesey, Eduard Brunner, Klaus Thunemann, Radovan Vlatkovic, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, David Geringas, Alois Posch is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.

Hommage á T.S. Eliot (1987) - For Octet And Soprano: 7. "Sin is Behovely, but" Key

This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

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ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.688676118850708

End: 0.6931803226470947