- BPM
- 88
- Key
- D Minor
- Camelot
- 7A
5 Stücke im Volkston, Op. 102: V. Stark und markiert - Robert Schumann, Mischa Maisky, Martha Argerich Information
- Acousticness
- 99%
- Danceability
- 40%
- Energy
- 11%
- Instrumentalness
- 92%
- Liveness
- 9%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 57%
- Popularity
- 5%
- Loudness
- -20.844 dB
Summary
Robert Schumann, Mischa Maisky, Martha Argerich made "5 Stücke im Volkston, Op. 102: V. Stark und markiert" available on January 1, 2000. The duration of 5 Stücke im Volkston, Op. 102: V. Stark und markiert is about 3 minutes long, at 3:03. Based on our data, "5 Stücke im Volkston, Op. 102: V. Stark und markiert" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Schumann: Cello Concerto; Chamber Music". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Germany. 5 Stücke im Volkston, Op. 102: V. Stark und markiert is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
5 Stücke im Volkston, Op. 102: V. Stark und markiert BPM
With 5 Stücke im Volkston, Op. 102: V. Stark und markiert by Robert Schumann, Mischa Maisky, Martha Argerich having a BPM of 88 with a half-time of 44 BPM and a double-time of 176 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
5 Stücke im Volkston, Op. 102: V. Stark und markiert Key
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Kitsch-Musik: III. Allegretto | Valentin Silvestrov, Elisaveta Blumina | E♭ Major | 0 | 5B | 65 BPM | |
 | 5 Preludes, Op. 16: IV. Prelude No. 4 in E-Flat Minor: Lento | Alexander Scriabin, Evgeny Zarafiants | A Minor | 0 | 8A | 129 BPM | |
 | Violin Concerto in D Major, Op. 61: II. Larghetto | Ludwig van Beethoven, Charlie Siem, Philharmonia Orchestra, Oleg Caetani | B♭ Major | 4 | 6B | 138 BPM | |
 | Vocalise, Op. 34, No. 14 | Sergei Rachmaninoff, Berliner Philharmoniker, Lorin Maazel | E Minor | 1 | 9A | 76 BPM | |
 | Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | |
 | Debussy: Piano Trio in G Major, L. 5: I. Andantino con moto allegro | Claude Debussy, Bertrand Chamayou | C Major | 1 | 8B | 80 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | Schumann: Arabeske in C Major, Op. 18 | Robert Schumann, George Li | C Major | 0 | 8B | 66 BPM | |
 | 5 Lieder, Op. 49: No. 4, Wiegenlied (Arr. for Piano by Leopold Godowsky) | Johannes Brahms, Carmen Stefanescu | F♯ Major | 0 | 2B | 79 BPM | |
 | Lyric Pieces Book II, Op. 38: I. Berceuse | Edvard Grieg, Mikhail Pletnev | D Major | 0 | 10B | 67 BPM |
- ISRC
- DEF059905023
- Label
- L-M Records/RCA Records
Section: 0.5249450206756592
End: 0.5296988487243652