Franz Joseph Haydn, Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten made "Cello Concerto In C, H.VIIb, No.1: 3. Finale (Allegro molto)" available on January 1, 2012. Since Cello Concerto In C, H.VIIb, No.1: 3. Finale (Allegro molto) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Mstislav Rostropovich's "Mstislav Rostropovich - The Complete Decca Recordings" album is number 11 out of 51. Cello Concerto In C, H.VIIb, No.1: 3. Finale (Allegro molto) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Cello Concerto In C, H.VIIb, No.1: 3. Finale (Allegro molto) by Franz Joseph Haydn, Mstislav Rostropovich, English Chamber Orchestra, Benjamin Britten to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 51 in D Major: I. Allegro | Christian Cannabich, Nicolaus Esterhazy Sinfonia, Uwe Grodd | D Major | 1 | 10B | 77 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Qui tollis | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus, Sir Colin Davis | B♭ Major | 1 | 6B | 94 BPM | ||
Symphony in A Major, Op. 24 No. 2, P. I:7: IV. Finale: Prestissimo | Leopold Koželuch, Czech Philharmonic Chamber Orchestra, Marek Štilec | A Major | 2 | 11B | 123 BPM | ||
Solomon, HWV 67 / Act III: Sinfonia "The Arrival of the Queen of Sheba" | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 3 | 11B | 118 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Piano Trio No. 1 in E-Flat Major, Op. 12: I. Allegro agitato | Johann Nepomuk Hummel, Borodin Trio | B♭ Major | 1 | 6B | 95 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Vivaldi: Flute Concerto in D Major, Op. 10 No. 3, RV 428 "Il gardellino": I. Allegro | Antonio Vivaldi, Emmanuel Pahud, Australian Chamber Orchestra, Richard Tognetti | D Major | 1 | 10B | 118 BPM | ||
Schumann: 3 Romances for Oboe and Piano, Op. 94: No. 3, Nicht schnell | Robert Schumann, Albrecht Mayer, Markus Becker | A Minor | 0 | 8A | 169 BPM |
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