Nicol Matt, Jens Wollenschläger, Heike Hümmer, Nordic Chamber Choir, Johann Sebastian Bach, Ute Petersilge, Jörg Halobek, Soloist Of The Freiburger Barockorchester, Robert Sagasser, Martina Rotbauer made "Der Tag, Der Ist So Freudenreich Bwv 294" available on March 28, 2007. With Der Tag, Der Ist So Freudenreich Bwv 294 being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 201 in Bach Edition Vol. 23, Chor by Nicol Matt. Der Tag, Der Ist So Freudenreich Bwv 294 is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Der Tag, Der Ist So Freudenreich Bwv 294 by Nicol Matt, Jens Wollenschläger, Heike Hümmer, Nordic Chamber Choir, Johann Sebastian Bach, Ute Petersilge, Jörg Halobek, Soloist Of The Freiburger Barockorchester, Robert Sagasser, Martina Rotbauer is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elias, Op. 70: Teil II: Wer bis an das Ende beharrt | Felix Mendelssohn, Thomas Hengelbrock | F Major | 1 | 7B | 67 BPM | ||
Brockes-Passion, TWV 5:1, Teil I: No. 2, Chor "Mich vom Stricke meiner Sünden" (Chor gläubiger Seelen) | Georg Philipp Telemann, RIAS Kammerchor, Akademie für Alte Musik Berlin, René Jacobs | E Minor | 3 | 9A | 139 BPM | ||
Mache dich, mein Geist, bereit, BWV 115: No. 6, Straf mich nicht in deinem Zorn | Johann Sebastian Bach, Chamber Choir Of Europe, Nicol Matt | A♭ Minor | 2 | 1A | 83 BPM | ||
Missa S. Marcellini: XV. Et incarnatus est - Live at Melk Abbey, 6/10/2000 | Johann Beer, Franz Raml | D♭ Major | 2 | 3B | 84 BPM | ||
Missa Tempore Quadragesimae, MH 553: Benedictus | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | F♯ Minor | 0 | 11A | 67 BPM | ||
Mass in D Major, Op. 86 / Gloria: IIb. Gratias agimus tibi | Antonín Dvořák, Helga Hein-Guardian, Verena Keller, Arthur Janzen, Hartmut Hein, Jorg Zettler, Motettenchor Stuttgart, Günter Graulich | G Major | 1 | 9B | 136 BPM | ||
Liebeslieder. Waltz for Vocals and Piano Four-Hands, Op. 65: No. 7, "Vom Gebirge Well auf Well" | Johannes Brahms, Jürgen Meier, Friederike Haug, Chamber Choir Of Europe, Nicol Matt | C Major | 2 | 8B | 162 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Concerto à 5 in B-Flat Major for Oboe and Strings, Op. 9 No. 11: III. Allegro | Tomaso Albinoni, Stefan Schilli, Stuttgart Chamber Orchestra, Nicol Matt | C Major | 3 | 8B | 103 BPM | ||
Missa Paschalis, ZWV 7: Kyrie. Kyrie eleison II | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | F♯ Minor | 2 | 11A | 128 BPM |
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