Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs, Boston Early Music Festival Chorus, Nola Richardson's 'Circe: XIX. Les plaisirs suivent les peines' came out on May 31, 2023. With Circe: XIX. Les plaisirs suivent les peines being less than two minutes long, at 1:20, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Henri Desmarets, Boston Early Music Festival Orchestra, Boston Early Music Festival Chorus, Paul O'Dette, Stephen Stubbs's "Henry Desmarest: Circé" album is number 19 out of 110. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Circe: XIX. Les plaisirs suivent les peines is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Circe: XIX. Les plaisirs suivent les peines by Henri Desmarets, Boston Early Music Festival Orchestra, Paul O'Dette, Stephen Stubbs, Boston Early Music Festival Chorus, Nola Richardson to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Marais: Pièces en trio: Suite No. 5 en mi mineur: X. Passacaille | Marin Marais, Ensemble Amalia | E♭ Minor | 2 | 2A | 118 BPM | ||
Circé, Act I Scene 1: Prélude. Ah que l'Amour aurait de charmes… (Circé, Astérie) | Henri Desmarets, Les Nouveaux Caractères, Sébastien d'Hérin, Véronique Gens, Caroline Mutel | D Minor | 1 | 7A | 93 BPM | ||
Stabat Mater, P. 77: XII. Quando corpus - Amen | Giovanni Battista Pergolesi, Shira Patchornik, Maarten Engeltjes, PRJCT Amsterdam | F♯ Minor | 2 | 11A | 101 BPM | ||
Membra Jesu Nostri, BuxWV 75, Ad genua: Aria "Quid sum tibi responsurus" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Carlos Mena | C Minor | 2 | 5A | 90 BPM | ||
A New Irish Tune, Z. 646: "Lilliburlero" | Henry Purcell, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Missa Paschalis, ZWV 7: Gloria. Gloria in excelsis Deo | Jan Dismas Zelenka, Inégal Ensemble, Adam Viktora, Gabriela Eibenová, Marian Krejcik, Terry Wey, Cyril Auvity | D♭ Minor | 1 | 12A | 87 BPM | ||
Messa Della Domenica: Canzon Dopo la Pistola | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Cum invocarem: Recitative: Cum invocarem (Tenor) | Henri Desmarets, Hanna Bayodi, Stephanie Revidat, Francois-Nicolas Geslot, Sebastien Droy, Benoit Arnould, Le Concert Spirituel, Herve Niquet | D Major | 1 | 10B | 114 BPM | ||
Then Svenska Messan, HRV 404: Ära vare Gud i högden | Johan Helmich Roman, Göteborg Baroque, Anna Jobrant, Karl Peter Eriksson, Magnus Kjellson | B♭ Minor | 1 | 3A | 79 BPM | ||
Stabat Mater in F Minor, RV 621: No. 2., Cuius animam gementem | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | B Minor | 1 | 10A | 113 BPM |
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