Nicola D'Agostino, Marjorie Lawrence's 'Un bel dì vedremo (As heard in the series "Genius MLK / X") [Live]' came out on March 13, 2024. With this song being around four minutes long, at 3:52, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. Since Un bel dì vedremo (As heard in the series "Genius MLK / X") [Live] only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Italy. Un bel dì vedremo (As heard in the series "Genius MLK / X") [Live] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Un bel dì vedremo (As heard in the series "Genius MLK / X") [Live] by Nicola D'Agostino, Marjorie Lawrence having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Donizetti: Lucia di Lammermoor, Act 1: "Il tuo dubbio è omai certezza ... Come vinti da stanchezza" (Chorus, Normanno, Enrico, Raimondo) | Gaetano Donizetti, Gino Sarri/Tito Gobbi/Raffaele Arié/Coro del Maggio Musicale Fiorentino/Orchestra del Maggio Musicale Fiorentino/Tullio Serafin, Coro del Maggio Musicale Fiorentino, Gino Sarri, Orchestra del Maggio Musicale Fiorentino, Raffaele Arie, Tito Gobbi, Tullio Serafin | D Major | 1 | 10B | 169 BPM | ||
Sadko, Scene 4: Song of the Hindu Merchant (Hindu Merchant) | Nikolai Rimsky-Korsakov, Gennady Rozhdestvensky, Philharmonia Orchestra, Sergej Larin | D Major | 2 | 10B | 99 BPM | ||
Puccini: Madama Butterfly, Act 2: "Qui troncarla conviene" (Butterfly, Sharpless) | Giacomo Puccini, Maria Callas, Mario Borriello, Herbert von Karajan, Orchestra Del Teatro Alla Scala, Milano | A Minor | 1 | 8A | 162 BPM | ||
In Quelle Trine Morbide (Manon Lescaut) | Renata Tebaldi, Orchestre de la Suisse Romande | C Major | 2 | 8B | 74 BPM | ||
La Wally: "Quando a solden" | Mario del Monaco | E♭ Minor | 3 | 2A | 138 BPM | ||
Lucia di Lammermoor, Act II: Il pallor, funesto, orrendo | Gaetano Donizetti, Zuzana Markova, Stefano Antonucci, Orchestra del Teatro Carlo Felice di Genova, Andriy Yurkevych | E Minor | 2 | 9A | 114 BPM | ||
Lohengrin, WWV 75 / Act I: "Einsam in trüben Tagen" | Richard Wagner, Cheryl Studer, Hartmut Welker, Kurt Moll, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | A♭ Major | 0 | 4B | 82 BPM | ||
Madame Butterfly: Duet "Stolta paura l'amor" | Mario Lanza, Elaine Malbin | D Major | 4 | 10B | 88 BPM | ||
Cendrillon: Faites-vous très belles | Jules Massenet, Philharmonia Orchestra, Julius Rudel | B♭ Major | 1 | 6B | 115 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Air: Aimer, aimer voila toute ma gloire (To love, that is all my glory) (Don Sanche) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | G Major | 3 | 9B | 75 BPM |
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