Hans Lang's '6 Tardes en San Petersburgo para piano solo, Op. 44: No. 1, Romance en mi bemol' came out on February 18, 1971. The duration of 6 Tardes en San Petersburgo para piano solo, Op. 44: No. 1, Romance en mi bemol is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. 6 Tardes en San Petersburgo para piano solo, Op. 44: No. 1, Romance en mi bemol's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Rubinstein: Concierto para piano No. 4 in D Minor, Op. 70 - Música para piano". In this album, this song's track order is #6. In terms of popularity, 6 Tardes en San Petersburgo para piano solo, Op. 44: No. 1, Romance en mi bemol is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 6 Tardes en San Petersburgo para piano solo, Op. 44: No. 1, Romance en mi bemol by Hans Lang having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oh mein Papa | Lys Assia | E Major | 4 | 12B | 168 BPM | ||
Wiener BlutWiener Blut | Walzer Orchestra | F Major | 3 | 7B | 93 BPM | ||
Nur nicht aus Liebe weinen | Zarah Leander | B♭ Major | 2 | 6B | 101 BPM | ||
Schätzele | Maria Andergast, Norbert Pawlicki, Hans Lang | G Major | 2 | 9B | 111 BPM | ||
The Merry Widow (Die lustige Witwe) / Act 1: Ballsirenenwalzer | Franz Lehár, Heinz Hoppe, Grosses Operetten Orchester, Franz Marszalek | G Major | 4 | 9B | 95 BPM | ||
Muchacha | Vico Torriani | A Major | 5 | 11B | 129 BPM | ||
Der fröhlich wanderer | Will Glahé | B♭ Major | 4 | 6B | 121 BPM | ||
Zwei Auf Einer Bank | Rex Gildo | A Major | 4 | 11B | 167 BPM | ||
Das hab' ich gleich gewußt | Caterina Valente | D Minor | 3 | 7A | 172 BPM | ||
Schön ist die Liebe im Hafen | Judith & Mel | G Major | 5 | 9B | 185 BPM |
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