"L'elisir d'amore / Act 2: "Prendi; per me sei libero"" by Gaetano Donizetti, Hilde Gueden, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Francesco Molinari-Pradelli had its release date on January 1, 1955. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 10 out of 29 in Donizetti: L'Elisir d'Amore by Gaetano Donizetti, Hilde Gueden, Giuseppe Di Stefano, Renato Capecchi, Fernando Corena, Orchestra del Maggio Musicale Fiorentino, Francesco Molinari-Pradelli. L'elisir d'amore / Act 2: "Prendi; per me sei libero" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of L'elisir d'amore / Act 2: "Prendi; per me sei libero" by Gaetano Donizetti, Hilde Gueden, Giuseppe Di Stefano, Orchestra del Maggio Musicale Fiorentino, Francesco Molinari-Pradelli is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: Introduzione | Pietro Mascagni, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | C Major | 3 | 8B | 166 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
Lucia di Lammermoor (1997 Digital Remaster): Tu sei turbato!...E n'ho ben d'onde | Gaetano Donizetti, Mario Carlin, Herbert von Karajan, RIAS Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 100 BPM | ||
Tosca / Act 1: "Recondita armonia" | Giacomo Puccini, Franco Corelli, Alfredo Mariotti, Orchestra dell'Accademia Nazionale di Santa Cecilia, Lorin Maazel | F Major | 3 | 7B | 85 BPM | ||
Fedora: Amor ti vieta | Umberto Giordano, Vittorio Grigolo, Pier Giorgio Morandi, Orchestra del Teatro Regio di Parma, Coro Del Teatro Regio Di Parma | C Major | 2 | 8B | 177 BPM | ||
Il Barbiere di Siviglia: Se il mio nome saper voi bramate - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | F Major | 2 | 7B | 118 BPM | ||
Lucia di Lammermoor (1997 Digital Remaster): Sulla tomba che rinserra il tradito genitore | Gaetano Donizetti, Giuseppe Di Stefano, Herbert von Karajan, RIAS Sinfonie-Orchester Berlin | G Major | 1 | 9B | 90 BPM | ||
Don Pasquale, Act I Terza Scena: Sogno soave e casto (Ernesto/Pasquale) | Gaetano Donizetti, Gösta Winbergh, Sesto Bruscantini, Philharmonia Orchestra, Riccardo Muti | A♭ Major | 1 | 4B | 71 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM | ||
La fille du régiment / Act 1: La la la ...chacum le sait, chacun le dit | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Spiro Malas, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 2 | 7B | 180 BPM |