"3 Poems of Christina Rossetti (Version for Voice & Piano): No. 3, A Hope Carol" by David Conte, Kindra Scharich, Kevin Korth was released on August 17, 2018. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 23 in Everyone Sang: Vocal Music of David Conte by David Conte, Various Artists, Marika Kuzma, Nicole Paiement, Eric Dudley. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. 3 Poems of Christina Rossetti (Version for Voice & Piano): No. 3, A Hope Carol is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 3 Poems of Christina Rossetti (Version for Voice & Piano): No. 3, A Hope Carol by David Conte, Kindra Scharich, Kevin Korth is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Evry Stone Crys | Nicolas Fayolle | B♭ Major | 1 | 6B | 95 BPM | ||
Four Songs of Love: II. Until the Daybreak | Sven-David Sandström, South Dakota Chorale, Brian A. Schmidt | A♭ Major | 0 | 4B | 137 BPM | ||
In Song: I. Intro: Entre nos voix | Diane Boudreau, Laura Hawley, Michelle David, Canadian Chamber Choir, Joel Tranquilla | G Major | 1 | 9B | 78 BPM | ||
Considering Matthew Shepard: Passion, 9. A Protestor | Craig Hella Johnson, Conspirare | B♭ Minor | 1 | 3A | 95 BPM | ||
4 Tantum ergo, WAB 41: No. 4 in C Major (Version for Choir) | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 1 | 8B | 69 BPM | ||
Mass in G Minor: II. Gloria | Ralph Vaughan Williams, The Choir Of Westminster Abbey, James O'Donnell | C Major | 1 | 8B | 71 BPM | ||
6 Partsongs, Op. 18 (Version for Mixed Chorus): No. 3, Venematka | Jean Sibelius, Dominante Choir, Seppo Murto | E Major | 2 | 12B | 105 BPM | ||
St. Vedast, Foster Lane: Cambridge Surprise Minor | Traditional, Bell Ringing Teams | G Minor | 3 | 6A | 171 BPM | ||
The Gift of the Magi: Scene 1: Della, I have something Left to be done (Jim, Della) | David Conte, Aimée Puentes, Tim Krol, San Francisco New Music Ensemble, Nicole Paiement | F♯ Minor | 1 | 11A | 83 BPM | ||
Firebird Motel: Scene 1: The Graveyard Shift: Dont keep him waiting, he hates to wait (Tropper, Corina, Ivan) | David Conte, Micah Epps, Shawnette Sulker, Mark Hernandez, San Francisco Conservatory Chamber Ensemble, Jeffrey Thomas | D Major | 1 | 10B | 78 BPM |
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